LEADER 01647oam 2200445zu 450 001 9910872608103321 005 20241212215024.0 035 $a(CKB)111026746744234 035 $a(SSID)ssj0000557922 035 $a(PQKBManifestationID)12228079 035 $a(PQKBTitleCode)TC0000557922 035 $a(PQKBWorkID)10557642 035 $a(PQKB)11072994 035 $a(EXLCZ)99111026746744234 100 $a20160829d1997 uy 101 0 $aeng 181 $ctxt 182 $cc 183 $acr 200 00$aAdvances in parallel and distributed computing : March 19-21, 1997, Shanghai, China : proceedings 210 31$a[Place of publication not identified]$cIEEE Computer Society Press$d1997 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9780818678769 311 08$a0818678763 606 $aParallel processing (Electronic computers)$vCongresses 606 $aElectronic data processing$xDistributed processing$xCongresses 606 $aEngineering & Applied Sciences$2HILCC 606 $aComputer Science$2HILCC 615 0$aParallel processing (Electronic computers) 615 0$aElectronic data processing$xDistributed processing$xCongresses. 615 7$aEngineering & Applied Sciences 615 7$aComputer Science 676 $a004/.35 712 02$aIEEE Computer Society 712 12$aConference on Advances in Parallel and Distributed Computing$f(1997 :$eShanghai, China) 801 0$bPQKB 906 $aBOOK 912 $a9910872608103321 996 $aAdvances in parallel and distributed computing : March 19-21, 1997, Shanghai, China : proceedings$92420916 997 $aUNINA LEADER 03877nam 22006135 450 001 9910863288803321 005 20251204111157.0 010 $a9789811582417 010 $a9811582416 024 7 $a10.1007/978-981-15-8241-7 035 $a(CKB)4100000011585957 035 $a(MiAaPQ)EBC6403553 035 $a(DE-He213)978-981-15-8241-7 035 $a(Perlego)3480847 035 $a(EXLCZ)994100000011585957 100 $a20201119d2020 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAudio Drama Modernism $eThe Missing Link between Descriptive Phonograph Sketches and Microphone Plays on the Radio /$fby Tim Crook 205 $a1st ed. 2020. 210 1$aSingapore :$cSpringer Nature Singapore :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (VIII, 339 p.) 225 1 $aPalgrave Studies in Sound,$x2633-5883 311 08$a9789811582400 311 08$a9811582408 327 $aChapter 1 Introduction -- Chapter 2 Audio Drama and Modernism?Gordon Lea 1926, the first manifesto -- Chapter 3 Radio Drama and the Avant-Garde?Lance Sieveking 1934, the second manifesto -- Chapter 4 The Modernist Turn in Literature and Radio Studies?how it changes understanding of the history of sound drama -- Chapter 5 Bridging Political Modernism between Descriptive Phonographs, 1920s political BBC radio drama and the 1930s agitational radio features -- Chapter 6 Modernist Phonograph Drama in a Belfast Street and a Montage on War?The sonic genius of Russell Hunting -- Chapter 7 Great War Descriptive Sketches -- Chapter 8 Angels of Mons and the Divine Service for King and Country -- Chapter 9 Are the Sound Drama Phonographs Examples of ?Modernist? Propaganda? -- Chapter 10 Reginald Berkeley?Pioneering Modernist Playwright and Political Radio Drama as Agitational Contemporaneity -- Chapter 11 Direct BBC censorship of modernist texts by D.G Bridson and his negotiation with Joan Littlewood and Olive Shapley of ?institutional containment? -- Chapter 12 Conclusions: Sound drama as political and agitational contemporaneity and modernist expression. 330 $aAudio Drama and Modernism traces the development of political and modernist sound drama during the first 40 years of the 20th Century. It demonstrates how pioneers in the phonograph age made significant, innovative contributions to sound fiction before, during, and after the Great War. In stunning detail, Tim Crook examines prominent British modernist radio writers and auteurs, revealing how they negotiated their agitational contemporaneity against the forces of Institutional containment and dramatic censorship. The book tells the story of key figures such as Russell Hunting, who after being jailed for making ?sound pornography? in the USA, travelled to Britain to pioneer sound comedy and montage in the pre-Radio age; Reginald Berkeley who wrote the first full-length anti-war play for the BBC in 1925; and D.G. Bridson, Olive Shapley and Joan Littlewood who all struggled to give a Marxist voice to the working classes on British radio. 410 0$aPalgrave Studies in Sound,$x2633-5883 606 $aSocial sciences 606 $aMusic 606 $aEthnology$xGreat Britain 606 $aCulture 606 $aSociety 606 $aMusic 606 $aBritish Culture 615 0$aSocial sciences. 615 0$aMusic. 615 0$aEthnology$xGreat Britain. 615 0$aCulture. 615 14$aSociety. 615 24$aMusic. 615 24$aBritish Culture. 676 $a809.222 700 $aCrook$b Tim$f1959-$0892382 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910863288803321 996 $aAudio drama modernism$92045989 997 $aUNINA