LEADER 03772nam  22006255  450 
001 9910863177803321
005 20250610110512.0
010   $a9783030556099
010   $a3030556093
024 7 $a10.1007/978-3-030-55609-9
035   $a(CKB)4100000011493446
035   $a(MiAaPQ)EBC6369427
035   $a(DE-He213)978-3-030-55609-9
035   $a(Perlego)3481886
035   $a(MiAaPQ)EBC29095712
035   $a(EXLCZ)994100000011493446
100   $a20201006d2021      u|         0
101 0 $aeng
135   $aurnn#008mamaa
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aMeaning-Making in the Contemporary Congregational Song Genre /$fby Daniel Thornton
205   $a1st ed. 2021.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2021.
215   $a1 online resource (XV, 236 p. 7 illus.)
311 08$a9783030556082 
311 08$a3030556085 
320   $aIncludes bibliographical references and index.
327   $aChapter 1 Contemporary Congregational Songs Genre Formation and Scrutiny -- Chapter 2 Contemporary Congregational Song -- Chapter 3 The Contemporary Congregational Song Industry (Poietic Analysis Pt 1) -- Chapter 4 So the Songwriters Say (Poietic Analysis Pt 2) -- Chapter 5 The Old and New Guard - Ways of Thinking for Contemporary Congregational Songs Writers (Poietic Analysis Pt 3) -- Chapter 6 How Christians Feel About the Songs they Sing - Individually (Esthesic Analysis Pt 1) -- Chapter 7 How Christians Feel About the Songs they Sing - Corporately (Esthesic Analysis Pt 2) -- Chapter 8 Just Another Pop Song? The Music (Trace Analysis Pt 1) -- Chapter 9 Just Another Pop Song? The Lyrics (Trace Analysis Pt 2) -- Chapter 10 Some Individual Examples - Australia (Trace Analysis Pt 3) -- Chapter 11 Some Individual Examples - UK and USA (Trace Analysis Pt 4) -- Chapter 12 The Current and Future Contemporary Congregational Songs Genre. .
330   $aThis book analyses the most sung contemporary congregational songs (CCS) as a global music genre. Utilising a three-part music semiology, this research engages with producers, musical texts, and audiences/congregations to better understand contemporary worship for the modern church and individual Christians. Christian Copyright Licensing International data plays a key role in identifying the most sung CCS, while YouTube mediations of these songs and their associated data provide the primary texts for analysis. Producers and the production milieu are explored through interviews with some of the highest profile worship leaders/songwriters including Ben Fielding, Darlene Zschech, Matt Redman, and Tim Hughes, as well as other music industry veterans. Finally, National Church Life Survey data and a specialized survey provide insight into individual Christians' engagement with CCS. Daniel Thornton shows how these perspectives taken together provide unique insight into the current global CCS genre, and into its possible futures.
606   $aChristianity
606   $aEvangelicalism
606   $aPentecostalism
606   $aMusic
606   $aChristianity
606   $aEvangelicalism and Pentecostalism
606   $aMusic
615  0$aChristianity.
615  0$aEvangelicalism.
615  0$aPentecostalism.
615  0$aMusic.
615 14$aChristianity.
615 24$aEvangelicalism and Pentecostalism.
615 24$aMusic.
676   $a261.58
676   $a200
700   $aThornton$b Daniel$0107742
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910863177803321
996   $aMeaning-making in the contemporary congregational song genre$92845543
997   $aUNINA