LEADER 01180nam--2200385---450- 001 990001161160203316 005 20090925183127.0 010 $a88-8422-051-3 035 $a000116116 035 $aUSA01000116116 035 $a(ALEPH)000116116USA01 035 $a000116116 100 $a20030704d2000----km-y0enga50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aMateriali di diritto costituzionale$fPaolo Giocoli Nacci, Aldo Loiodice 205 $a1. rist. anast. dell'ed. 1999 210 $aBari$cCacucci$d2000 215 $a301 p.$d24 cm 606 0 $aDiritto costituzionale 676 $a342.45 700 1$aGIOCOLI NACCI,$bPaolo$034474 701 1$aLOIODICE,$bAldo$0235123 801 0$aIT$bsalbc$gISBD 912 $a990001161160203316 951 $aXXIV.2.B. 177 (IG IV 1585)$b36584 G.$cXXIV.2.B. 177 (IG IV)$d00097387 959 $aBK 969 $aGIU 979 $aMARIA$b10$c20030704$lUSA01$h0955 979 $aPATRY$b90$c20040406$lUSA01$h1722 979 $aMARIASEN$b90$c20050124$lUSA01$h1639 979 $aRSIAV3$b90$c20090925$lUSA01$h1831 996 $aMateriali di diritto costituzionale$9983629 997 $aUNISA LEADER 01233nam0-22004331--450 001 990006125570403321 005 20221220091531.0 035 $a000612557 035 $aFED01000612557 035 $a(Aleph)000612557FED01 100 $a20000112d1967----km-u0itay50------ba 101 1 $aita 102 $aIT 105 $ay-------001yy 200 1 $aDove va il capitalismo?$fa cura di Shigeto Tsuru$gtraduzione dall'inglese e dal russo di Amerigo Guadagnin 205 $a2. ed. 210 $aMilano$cEtas Kompass$d1967 215 $a182 p.$d22 cm 225 1 $aBiblioteca di studi economici$v5 454 0$aHas capitalism changed? 610 0 $aCapitalismo - Storia 676 $a330.12$v11 rid.$zita 702 1$aTsuru,$bShigeto$f<1912-2006> 702 1$aGuadagnin,$bAmerigo 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006125570403321 952 $aISVE B1-B3.33$b1062$fDECTS 952 $aXV C 147 (5)$b18599*$fFGBC 952 $aXI EE T 1$b3396$fDFD 952 $aVI L 78$b850$fDDA 952 $aFL FIL 29$bFL-591$fDECBC 959 $aDECTS 959 $aFGBC 959 $aDFD 959 $aDDA 959 $aDECBC 996 $aDove va il capitalismo$9643683 997 $aUNINA LEADER 03325nam 22006255 450 001 9910863177503321 005 20250610110142.0 010 $a9783030556280 010 $a303055628X 024 7 $a10.1007/978-3-030-55628-0 035 $a(CKB)4100000011515537 035 $a(MiAaPQ)EBC6381039 035 $a(DE-He213)978-3-030-55628-0 035 $a(Perlego)3481352 035 $a(MiAaPQ)EBC29090793 035 $a(EXLCZ)994100000011515537 100 $a20201021d2020 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDigital Theatre $eThe Making and Meaning of Live Mediated Performance, US & UK 1990-2020 /$fby Nadja Masura 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (XVI, 295 p. 21 illus., 19 illus. in color.) 225 1 $aPalgrave Studies in Performance and Technology,$x2947-5856 311 08$a9783030556273 311 08$a3030556271 327 $a1. Introduction -- 2. Scenography -- 3. The Theatre Building/Place -- 4. The Actor -- 5. The Animated Actor -- 6. Costuming -- 7. Director/Dramaturg (Authority) -- 8. Writer/Audience (Authorship) -- 9. Theorizing Body/Place: The Agency of the Digital Performer and the Body as Place -- 10. Theorizing Place/Community: Issues of Access and Performativity -- 11. Conclusion: Binaries of Hope, Theorizing Theater's Place in an Increasingly Performative Digital World. 330 $aDigital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder's Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today's artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded. . 410 0$aPalgrave Studies in Performance and Technology,$x2947-5856 606 $aStage management 606 $aTheater$xHistory 606 $aPerforming arts 606 $aTheater 606 $aTechnology and Stagecraft 606 $aContemporary Theatre and Performance 606 $aTheatre and Performance Arts 615 0$aStage management. 615 0$aTheater$xHistory. 615 0$aPerforming arts. 615 0$aTheater. 615 14$aTechnology and Stagecraft. 615 24$aContemporary Theatre and Performance. 615 24$aTheatre and Performance Arts. 676 $a700.105 700 $aMasura$b Nadja$0839942 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910863177503321 996 $aDigital theatre$91875418 997 $aUNINA