LEADER 03595nam 22008773u 450 001 9910781581203321 005 20230725053804.0 035 $a(CKB)2550000000064909 035 $a(EBL)908922 035 $a(OCoLC)767569020 035 $a(SSID)ssj0000620752 035 $a(PQKBManifestationID)12265677 035 $a(PQKBTitleCode)TC0000620752 035 $a(PQKBWorkID)10613253 035 $a(PQKB)10739114 035 $a(MiAaPQ)EBC908922 035 $a(EXLCZ)992550000000064909 100 $a20130418d2011|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aUncreative Writing$b[electronic resource] $eManaging Language in the Digital Age 210 $aNew York $cColumbia University Press$d2011 215 $a1 online resource (272 p.) 300 $aDescription based upon print version of record. 311 $a0-231-14990-5 311 $a0-231-14991-3 330 $aCan techniques traditionally thought to be outside the scope of literature, including word processing, databasing, identity ciphering, and intensive programming, inspire the reinvention of writing? The Internet and the digital environment present writers with new challenges and opportunities to reconceive creativity, authorship, and their relationship to language. Confronted with an unprecedented amount of texts and language, writers have the opportunity to move beyond the creation of new texts and manage, parse, appropriate, and reconstruct those that already exist.In addition to 606 $aAuthors -- Effect of technological innovations on 606 $aCreation (Literary, artistic, etc.) 606 $aCreative writing -- Data processing 606 $aCreative writing -- Study and teaching 606 $aLiterature and technology 606 $aLiterature and the Internet 606 $aModernism (Literature) -- History and criticism 606 $aPoetics 606 $aLiterature and technology$xData processing 606 $aCreation (Literary, artistic, etc.)$xStudy and teaching 606 $aCreative writing$xEffect of technological innovations on 606 $aCreative writing$xHistory and criticism 606 $aAuthors 606 $aLiterature and the Internet 606 $aModernism (Literature) 606 $aPoetics 606 $aLanguages & Literatures$2HILCC 606 $aLiterature - General$2HILCC 615 4$aAuthors -- Effect of technological innovations on. 615 4$aCreation (Literary, artistic, etc.). 615 4$aCreative writing -- Data processing. 615 4$aCreative writing -- Study and teaching. 615 4$aLiterature and technology. 615 4$aLiterature and the Internet. 615 4$aModernism (Literature) -- History and criticism. 615 4$aPoetics. 615 0$aLiterature and technology$xData processing 615 0$aCreation (Literary, artistic, etc.)$xStudy and teaching 615 0$aCreative writing$xEffect of technological innovations on 615 0$aCreative writing$xHistory and criticism 615 0$aAuthors 615 0$aLiterature and the Internet 615 0$aModernism (Literature) 615 0$aPoetics 615 7$aLanguages & Literatures 615 7$aLiterature - General 676 $a808.00285/4678 676 $a808.002854678 700 $aGoldsmith$b Kenneth$01564760 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910781581203321 996 $aUncreative Writing$93834003 997 $aUNINA LEADER 03837nam 22006855 450 001 9910863166103321 005 20250610110342.0 010 $a9783030566388 010 $a3030566382 024 7 $a10.1007/978-3-030-56638-8 035 $a(CKB)4100000011558535 035 $a(MiAaPQ)EBC6383581 035 $a(DE-He213)978-3-030-56638-8 035 $a(Perlego)3482143 035 $a(MiAaPQ)EBC29095533 035 $a(EXLCZ)994100000011558535 100 $a20201102d2021 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a(Re)Creating Language Identities in Animated Films $eDubbing Linguistic Variation /$fby Vincenza Minutella 205 $a1st ed. 2021. 210 $cSpringer International Publishing$d2021 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (XXII, 408 p. 4 illus.) 225 1 $aPalgrave Studies in Translating and Interpreting,$x2947-5759 300 $aIncludes index. 311 08$a9783030566371 311 08$a3030566374 327 $aChapter 1: Dubbing Animated Films: A Complex Collaborative Process -- Chapter 2: Translating Language Varieties and Multilingualism in Audiovisual Texts: Research and Conversations with Dubbing Practitioners -- Chapter 3: Linguistic Variation in Animated Films from 2001 to 2017 -- Chapter 4: Americans, Brits, Aussies & Co.: Native Varieties of English in Italian Dubbing -- Chapter 5: Languages Other than English/Foreign Languages in Italian Dubbing: Preservation, Neutralisation, Reduction or Adaptation? -- Chapter 6: Non-native Varieties of English in Italian Dubbing: Does 'Foreign-accented English' Become 'Foreign-accented Italian'? -- Chapter 7: (Re)positioning Italianness in Animated Films: No Accent, Foreign Accent, Regional Italian, Dialect? -- Chapter 8: Conclusion. 330 $aThis book investigates how language identities are created and represented in animated films, and how they are tackled by dubbing professionals in Italy. The author describes how language variation and varieties contribute to building the language identities of characters in several popular Anglo-American animated films, and analyses how these linguistic characterisations are transposed into Italian. Drawing on a corpus of 30 films produced by Disney, Pixar, Dreamworks, 20th Century Fox and Sony, the book examines linguistic norms, conventions and stereotypes and highlights issues of creativity in translation. It is the first book in English entirely devoted to the translation of animated feature films, and it will be of interest to students and scholars of translation, linguistic variation, film and media. 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