LEADER 03736nam 22006253 450 001 9910862074203321 005 20230901212214.0 010 $a1477325638 010 $a9781477325636 010 $a1477321152 010 $a9781477321157 024 7 $a10.7560/321157 035 $a(CKB)5600000000484768 035 $a(MiAaPQ)EBC7072588 035 $a(Au-PeEL)EBL7072588 035 $a(OCoLC)1341396935 035 $a(DE-B1597)637669 035 $a(DE-B1597)9781477325636 035 $a(EXLCZ)995600000000484768 100 $a20221104d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe color pynk $eBlack femme art for survival 205 $aFirst edition. 210 1$aAustin :$cUniversity of Texas Press,$d2022. 210 4$d©2022. 215 $a1 online resource (289 pages) 311 0 $a1-4773-2115-2 327 $aPrologue: for Alice Walker ; Introduction: femme-inist is to feminist as Pynk is to pink ? Part I. Pussy power and nonbinary vaginas. Janelle Monae: fen futures, Pynk pants, and pussy power ; Indya Moore: nonbinary wild vagina dresses and biologically femme penises ? Part II. Hymns fir crazy black femmes. Kelsey Lu: braids, twists, and the shapes of black femme depression ; Tourmaline: head scarves and freedom dreams ? Part III. Black femme environmentalism for the futa. (F)empower: swimwear, wade-ins, and trashy ecofeminism ; Juliana Huxtable: black witch-cunt lipstick and kinky vegan femm-inism; Conclusion: where is the black in black femme freedom? ; Epilogue: for my child. 330 $a"The Color Pynk is a passionate exploration of Black femme poetics of survival. Sidelined by liberal feminists and invisible to mainstream civil rights movements, Black femmes spent the Trump years doing what they so often do best: creating politically engaged art, entertainment, and ideas. In the first full-length study of Black queer, cis-, and trans-femininity, Omise?eke Natasha Tinsley argues that this creative work offers a distinctive challenge to power structures that limit how we color, gender, and explore freedom. Tinsley engages 2017?2020 Black femme cultural production that colorfully and provocatively imagines freedom in the stark white face of its impossibility. Looking to the music of Janelle Monáe and Kelsey Lu, Janet Mock?s writing for the television show Pose, the fashion of Indya Moore and (F)empower, and the films of Tourmaline and Juliana Huxtable, as well as poetry and novels, The Color Pynk conceptualizes Black femme as a set of consciously, continually rescripted cultural and aesthetic practices that disrupts conventional meanings of race, gender, and sexuality. There is an exuberant defiance in queer Black femininity, Tinsley finds?so that Black femmes continue to love themselves wildly in a world that resists their joy." -- Publisher's description. 517 0 $aColor Pynk 606 $aAfrican American feminists 606 $aAfrican American sexual minorities 606 $aFeminism and the arts 606 $aFeminist aesthetics 606 $aWomanism 606 $aSOCIAL SCIENCE / General$2bisacsh 615 0$aAfrican American feminists. 615 0$aAfrican American sexual minorities. 615 0$aFeminism and the arts. 615 0$aFeminist aesthetics. 615 0$aWomanism. 615 7$aSOCIAL SCIENCE / General. 676 $a111/.85 700 $aTinsley$b Omise'eke Natasha$f1971-$01594065 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910862074203321 996 $aThe color pynk$94167731 997 $aUNINA