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Mason 260 $aNew York :$bWiley-Interscience Publ.,$cc1970 300 $ax, 337 p. :$bill. ;$c24 cm. 500 $aBibliography: p. 327-328 650 4$aCalculus of tensors 650 4$aMatrices 650 4$aQuantum theory 650 4$aRelativity 700 1 $aMason, Robert M. 907 $a.b10743686$b21-09-06$c28-06-02 912 $a991000690519707536 945 $aLE013 15-XX EIS11 (1970)$g1$i2013000098142$lle013$o-$pE0.00$q-$rl$s- $t0$u5$v0$w5$x0$y.i10835209$z28-06-02 996 $aAPPLIED MATRIX AND TENSOR ANALYSIS$9318749 997 $aUNISALENTO 998 $ale013$b01-01-98$cm$da $e-$feng$gus $h0$i1 LEADER 03300 am 2200733 n 450 001 9910496007103321 005 20210208 010 $a2-900956-23-4 024 7 $a10.4000/books.cedej.1922 035 $a(CKB)4100000011923655 035 $a(FrMaCLE)OB-cedej-1922 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/87289 035 $a(PPN)255905998 035 $a(EXLCZ)994100000011923655 100 $a20210512j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMusique arabe $eLe Congrès du Caire de 1932 /$fPhilippe Vigreux 210 $aLe Caire $cCEDEJ - Égypte/Soudan$d2021 215 $a1 online resource (440 p.) 225 1 $aRecherches et témoignages 330 $a1932. La musique arabe est à un tournant crucial de son histoire. Au Maghreb, le répertoire classique n?offre plus qu?un souffle indigent. L?Égypte, tournant le dos à un « classicisme » de fraîche date, explore des voix nouvelles. Seul l?Irak, faiblement pénétré des influences extérieures, préserve une authenticité. Le Congrès historique est un appel au secours (tourné en partie vers l?Occident). S?il ne parviendra pas à inverser le cours naturel de l?histoire, il nous laisse un ensemble documentaire de toute première importance. C?est ce legs que le colloque réuni au Caire du 25 au 28 mai 1989 s?est fixé pour but d?étudier : ses qualités, ses faiblesses, l?impact des techniques et des idéologiques. La première partie de ce livre rassemble les textes issus de cette réflexion pluridisciplinaire. En seconde partie, une analyse de la presse égyptienne d?époque jette un regard neuf sur les tensions sous-jacentes aux débats et complète la documentation jusqu?ici disponible. 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A Sudden Frenzy Toronto : University of Toronto Press,c2022 9781487563448 327 $aThe uses of oral poetry in Quattrocento Florence -- "Inspired and possessed": Marsilio Ficino and oral poetry -- "Secret frenzies": Angelo Poliziano and invention -- "The power to stir up others": Lorenzo de' Medici and improvisation -- The improviser and the world of the courts. 330 $a"In Renaissance Italy there existed a rich interplay between two cultural practices frequently regarded as entirely separate and mutually antagonistic: the humanistic study of the ancient world and ancient literature, and the oral and improvisational performance of poetry which constituted one of the most popular forms of entertainment. A Sudden Frenzy explores the development and impact of these Renaissance practices of improvisation and oral poetry. James K. 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