LEADER 03799nam 22005895 450 001 9910739475803321 005 20200920110601.0 010 $a9781430261018 010 $a1430261013 024 7 $a10.1007/978-1-4302-6101-8 035 $a(CKB)3710000000031160 035 $a(DE-He213)978-1-4302-6101-8 035 $a(SSID)ssj0001067510 035 $a(PQKBManifestationID)11574607 035 $a(PQKBTitleCode)TC0001067510 035 $a(PQKBWorkID)11091952 035 $a(PQKB)11233713 035 $a(MiAaPQ)EBC1636363 035 $a(CaSebORM)9781430261001 035 $a(PPN)176095969 035 $a(OCoLC)869218889 035 $a(OCoLC)ocn869218889 035 $a(EXLCZ)993710000000031160 100 $a20131125d2013 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHave Fun, Get Paid $eHow to Make a Living with Your Creativity /$fby Christopher Duncan 205 $a1st ed. 2013. 210 1$aBerkeley, CA :$cApress :$cImprint: Apress,$d2013. 215 $a1 online resource (XI, 232 p.) 300 $aIncludes index. 311 08$a9781430261001 311 08$a1430261005 330 $aFrom performers who bask in the spotlight to those who find inspiration in the midnight glow of a computer monitor, the world has no shortage of creative people. While the day-to-day realities of a ballerina may be quite different from that of a novelist, actor, graphic artist, musician, or software developer, they share many things in common. Chief among these is the desire to make a living with their art. Maybe you?re working to build a sustainable, full-time creative career. Or perhaps you're happy in the corporate world but would like to turn your love for music, dance, painting, or programming into a steady stream of extra income. Either way, if you?re like most creative souls, you tend to focus on your passion to the exclusion of all else?and you may scorn the details of business and promotion. Yet as Have Fun, Get Paid: How to Make a Living with Your Creativity shows, developing business skills couldn?t be more important for those who want to achieve success and generate steady income from their work. With decades of professional experience in creative fields such as music, software, writing and speaking, bestselling author Christopher Duncan demystifies the path to getting paid for your artistic talents. With lighthearted stories and down-to-earth advice, he starts with the basics and shows you how to build a solid, dependable career. All that?s required is consistent effort and a bit of commonsense. In Have Fun, Get Paid you will learn how to: Find paying work and get the gigs Market your talent without selling your soul Build an image as a highly sought after professional Manage the business details of your creative career Harness the power of relationships for long term success With advances in technology and the global reach of the Internet, creative people are empowered today  as never before. Have Fun, Get Paid will show you how to take control of your dreams and bring them to life.    . 517 3 $aHow to make a living with your creativity 606 $aBusiness 606 $aManagement science 606 $aBusiness and Management, general$3https://scigraph.springernature.com/ontologies/product-market-codes/500000 615 0$aBusiness. 615 0$aManagement science. 615 14$aBusiness and Management, general. 676 $a650 700 $aDuncan$b Christopher$4aut$4http://id.loc.gov/vocabulary/relators/aut$01424191 801 0$bUMI 801 1$bUMI 906 $aBOOK 912 $a9910739475803321 996 $aHave Fun, Get Paid$93553228 997 $aUNINA LEADER 04078nam 22006253 450 001 9910861953503321 005 20240605084506.0 010 $a9783839473269 010 $a3839473268 024 7 $a10.1515/9783839473269 035 $a(CKB)32140507500041 035 $a(MiAaPQ)EBC31361163 035 $a(Au-PeEL)EBL31361163 035 $a(DE-B1597)684952 035 $a(DE-B1597)9783839473269 035 $a(ScCtBLL)897cf9fb-13fb-491c-bb1e-1b335569a8c3 035 $a(EXLCZ)9932140507500041 100 $a20240605d2024 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMediating the Real $eSelf-Reflection in Recent American Reportage 205 $a1st ed. 210 1$aBielefeld :$ctranscript Verlag,$d2024. 210 4$dİ2024. 215 $a1 online resource (307 pages) 225 1 $aGegenwartsliteratur Series 311 08$a9783837673265 311 08$a383767326X 327 $tFrontmatter -- $tAcknowledgments -- $tIntroduction -- $tMediating Mediatized Realities -- $t1 Reportage and Mediation -- $t1.1 The Complications of ?Literary Journalism? -- $t1.2 The Human Qualities of Reportage -- $t1.3 The Human Medium Inspecting Itself -- $t2 On Real Communing: Mediating Coordinated Experience -- $t2.1 Authenticity and Uncertainty in Touristic Experience -- $t2.2 The Desperate Medium in David Foster Wallace?s ?A Supposedly Fun Thing I?ll Never Do Again? (1997) -- $t2.3 The Believing Medium in George Saunders?s ?The New Mecca? (2005) -- $t2.4 The Incapable Medium in John Jeremiah Sullivan?s ?Upon This Rock? (2012) -- $t2.5 Uncertainties and the Negotiation of Trust in Communing -- $t3 On Real Bodies: Mediating Other Human Media -- $t3.1 Reflexive Subjectivities and Their Differences -- $t3.2 The Mysterious Medium in George Saunders?s ?Buddha Boy? (2007) -- $t3.3 Aware Media in John Jeremiah Sullivan?s ?Getting Down to What is Really Real? (2011) -- $t3.4 Different Media in Mac McClelland?s ?Delusion is the Thing With Feathers? (2017) -- $t3.5 The Possibilities of Reflexivity -- $t4 On Real Fragmentation: Mediating Violence -- $t4.1 Material and Symbolic Violence -- $t4.2 The Fractured Medium in George Saunders?s ?Tent City, U.S.A.? (2009) -- $t4.3 The Atoning Medium in Michael Paterniti?s ?Should We Get Used To Mass Shootings?? (2016) -- $t4.4 The Resilient Medium in Rachel Kaadzi Ghansah?s ?A Most American Terrorist? (2017) -- $t4.5 The Reflexivity of Violence -- $tConclusion -- $tThe Possibilities of Human Media -- $tBibliography 330 $aAs a literary genre, the nonfictional reportage has particular implications for the role of the writer. Pascal Sigg shows how six U.S. American writers, including David Foster Wallace, George Saunders, and Rachel Kaadzi Ghansah, reflect on themselves as human media in their reportage. The writers assert themselves in a postmodern way by scrutinizing their own mediation. As it also traces and develops the theorization of reportage as genre along the reporters' early concerns with technical media, this pioneering contribution to literary journalism studies paves a way for a new materialist approach in the under-researched field. 410 0$aGegenwartsliteratur Series 606 $aLITERARY CRITICISM / American / General$2bisacsh 610 $aAmerican Studies. 610 $aDigital Media. 610 $aHuman. 610 $aLiterary Studies. 610 $aLiterature. 610 $aMedia. 610 $aMediation. 610 $aMediatization. 610 $aReportage. 610 $aSelf-Reflection. 615 7$aLITERARY CRITICISM / American / General. 700 $aSigg$b Pascal$01738315 712 02$aSwiss National Science Foundation (SNSF)$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910861953503321 996 $aMediating the Real$94160498 997 $aUNINA