LEADER 00976nam a2200277Ii 4500 001 991002010259707536 008 130404s1933 enka 000 0 eng d 035 $ab14106565-39ule_inst 040 $aDip.to Matematica e Fisica - Sez. Matematica$beng 082 0 $a515.2 084 $aAMS 26A 084 $aLC QA303F33 100 1 $aHardy, Godfrey Harold$0477758 245 12$aA course of pure mathematics /$cby G. H. Hardy 250 $a6th ed. 260 $aLondon :$bCambridge University Press,$c1933 300 $axii, 456 p. :$bdiagrs. ;$c22 cm 500 $aEx Libris Mario Lombardo 650 0$aCalculus 650 0$aFunctions 907 $a.b14106565$b03-03-14$c04-04-13 912 $a991002010259707536 945 $aLE013 Fondo Lombardo 26A HAR11 (1933)$g1$i2013000221595$lle013$og$pE5.00$q-$rn$so $t1$u0$v0$w0$x0$y.i15537730$z08-10-13 996 $aCourse of pure mathematics$9264664 997 $aUNISALENTO 998 $ale013$b04-04-13$cm$da $e-$feng$genk$h2$i0 LEADER 05095nam 22006375 450 001 9910857789603321 005 20250807132424.0 010 $a9783031557255 010 $a3031557255 024 7 $a10.1007/978-3-031-55725-5 035 $a(MiAaPQ)EBC31339508 035 $a(Au-PeEL)EBL31339508 035 $a(CKB)32140174600041 035 $a(MiAaPQ)EBC31342666 035 $a(Au-PeEL)EBL31342666 035 $a(DE-He213)978-3-031-55725-5 035 $a(Exl-AI)31339508 035 $a(OCoLC)1435754097 035 $a(EXLCZ)9932140174600041 100 $a20240511d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTheatre and Global Development $ePerforming Partnerships /$fby Bobby Smith 205 $a1st ed. 2024. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (249 pages) 311 08$a9783031557248 311 08$a3031557247 327 $aForeword -- Acknowledgments -- Contents -- About the Authors -- List of Figures -- Chapter 1: Introduction -- The Roots of This Book -- Why This Book? -- The Reflective Practitioner in Theatre and Global Development -- Structure of the Book -- References -- Chapter 2: Theatre, Development, and the Problems with Partnership -- Critical Perspectives on Development -- From International to Global Development -- Post-development and Postcolonial Critiques -- Beginning to Problematise Partnerships -- Understanding Development Partnerships -- Partnerships: Inequality and Decoloniality -- Locating Theatre Within Development and Issues Relating to Partnership -- TfD Partnerships -- Problems with TfD -- Theatre for Development in Africa: Colonial Legacies and Radical Aspirations -- The Colonial Connection -- Radical Alternatives -- Implications for TfD Partnerships? -- References -- Viewpoint 1: Funding Maxwel Okuto: Viewpoint 1: Funding Maxwel Okuto -- Chapter 3: How Money Shapes Partnerships -- Power of Funding -- The Aid Chain, Donors and TfD Organisations in Kenya$7Generated by AI. 330 $aHow do theatre and development partnerships operate? What issues impede collaborations between various institutions and individuals? Why do relations between global North and South partners often fail to reflect important values such as equality, reciprocity and mutual benefit? This is the first book to examine theatre and global development partnerships. It focusses on the UK and East African countries of Kenya, Rwanda and Uganda, presenting the author?s own experiences, case study analyses and perspectives from practitioners and scholars involved in theatre and development. It argues that simplistic binaries pervade partnerships, whereby the global North is regarded as ?modern? and ?developed? versus the ?under-developed? global South. This results in unequal power relations between collaborators, less effective projects with communities, and a lack of reciprocity and mutual benefit. Consequently, this book revitalises how we conceptualise partnerships. Issues such as widening inequalities, conflict, health and the climate crisis impact all countries. How, then, can we work across borders to support interconnected learning and action on these challenges? In this regard, principles of solidarity and mutual responsibility, as well as critical openness, enable us to reflect honestly about the failures of the partnerships we participate in and move beyond simplistic binaries of global North and South. The book is of importance to applied and socially engaged performance scholars and practitioners, and to development workers interested in arts and social change. Bobby Smith is Associate Professor of Theatre and Performance Studies and course director of the MA Applied Theatre at the University of Warwick, UK. Through his research, creative practice and teaching he aims to develop innovative approaches to activism, education, and social change. He has worked internationally to explore issues including violence prevention, health education, peacebuilding and the climate crisis. 606 $aTheater 606 $aTheater$xHistory 606 $aEconomic development 606 $aGlobal and International Theatre and Performance 606 $aContemporary Theatre and Performance 606 $aDevelopment Studies 606 $aApplied Theatre 615 0$aTheater. 615 0$aTheater$xHistory. 615 0$aEconomic development. 615 14$aGlobal and International Theatre and Performance. 615 24$aContemporary Theatre and Performance. 615 24$aDevelopment Studies. 615 24$aApplied Theatre. 676 $a792.0681 700 $aSmith$b Bobby$01738908 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910857789603321 996 $aTheatre and Global Development$94161910 997 $aUNINA