LEADER 04784oam 2200673I 450 001 9910781259603321 005 20230221153655.0 010 $a1-136-83307-2 010 $a1-283-10470-9 010 $a9786613104700 010 $a1-136-83308-0 010 $a0-203-83197-7 024 7 $a10.4324/9780203831977 035 $a(CKB)2550000000032540 035 $a(EBL)668829 035 $a(OCoLC)719094041 035 $a(SSID)ssj0000537124 035 $a(PQKBManifestationID)12176391 035 $a(PQKBTitleCode)TC0000537124 035 $a(PQKBWorkID)10551854 035 $a(PQKB)10241872 035 $a(MiAaPQ)EBC668829 035 $a(Au-PeEL)EBL668829 035 $a(CaPaEBR)ebr10462504 035 $a(CaONFJC)MIL310470 035 $a(EXLCZ)992550000000032540 100 $a20180706d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aGlobal design history /$fedited by Glenn Adamson, Giorgio Riello and Sarah Teasley 205 $a1st edition 210 1$aLondon :$cRoutledge,$d2011. 215 $a1 online resource (241 p.) $cillustrations 300 $aDescription based upon print version of record. 311 $a0-415-57287-8 311 $a0-415-57285-1 320 $aIncludes bibliographical references and index. 327 $aGlobal Design HistoryI; Copyright; Contents; Illustrations; Contributors; Preface; Introduction:Towards global design history; 1 The Global Renaissance: Cross-cultural objects in the early modern period; Response; 2 Global design in Jingdezhen: Local production and global connections; Response; 3 Indian cottons and European fashion, 1400-1800; Response; 4 Import substitution, innovation and the tea ceremony in fifteenth- and sixteenth-century Japan; Response; 5 The globalization of the fashion city; Response 327 $a6 Performing white South African identity through international and empire exhibitionsResponse; 7 'From the far corners':Telephones, globalization, and the production of locality in the 1920s; Response; 8 The globalization of the Deutscher Werkbund: Design reform, industrial policy, and German foreign policy, 1907-1914; Response; 9 Where in the world is design? The case of India, 1900-1945; Response; 10 Handmade modernity: Post-war design in Turkey; Response; 11 Old empire and new global luxury: Fashioning global design; Response 327 $a12 Analyzing social networking websites:The design of Happy Network in ChinaResponse; 13 From nation-bound histories to global narratives of architecture; Response: Global agoraphobia; 14 e-Artisans: Contemporary design for the global market; Response; Resource Guide; Bibliography; Index 330 $aGlobalism is often discussed using abstract terms, such as ?networks? or ?flows? and usually in relation to recent history. Global Design History moves us past this limited view of globalism, broadening our sense of this key term in history and theory. Individual chapters focus our attention on objects, and the stories they can tell us about cultural interactions on a global scale. They place these concrete things into contexts, such as trade, empire, mediation, and various forms of design practice. Among the varied topics included are:the global underpinnings of Renaissance material culture; the trade of Indian cottons in the eighteenth-century; the Japanese tea ceremony as a case of ?import substitution?German design in the context of empire; handcrafted modernist furniture in Turkey. Australian fashions employing ?ethnic? motifs; an experimental UK-Ghanaian design partnership; Chinese social networking websites; the international circulation of contemporary architects.Featuring work from leading design historians, each chapter is paired with a ?response?, designed to expand the discussion and test the methodologies on offer. An extensive bibliography and resource guide will also aid further research, providing students with a user friendly model for approaches to global design.?Global Design History will be useful for upper-level undergraduate and postgraduate students, academics and researchers in design history and art history, and related subjects such as anthropology, craft studies and cultural geography. 606 $aDesign$xHistory 606 $aCulture and globalization 615 0$aDesign$xHistory. 615 0$aCulture and globalization. 676 $a745.409 701 $aAdamson$b Glenn$0625093 701 $aRiello$b Giorgio$0313379 701 $aTeasley$b Sarah$f1973-$01564231 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781259603321 996 $aGlobal design history$93833172 997 $aUNINA LEADER 06349nam 22006375 450 001 9910857786503321 005 20251113174539.0 010 $a3-031-53681-9 024 7 $a10.1007/978-3-031-53681-6 035 $a(CKB)32027836400041 035 $a(MiAaPQ)EBC31342656 035 $a(Au-PeEL)EBL31342656 035 $a(MiAaPQ)EBC31340010 035 $a(Au-PeEL)EBL31340010 035 $a(DE-He213)978-3-031-53681-6 035 $a(EXLCZ)9932027836400041 100 $a20240513d2024 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aColor in QCD $eAn Introduction Featuring the Birdtrack Pictorial Technique /$fby Stéphane Peigné 205 $a1st ed. 2024. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Springer,$d2024. 215 $a1 online resource (90 pages) 225 1 $aSpringerBriefs in Physics,$x2191-5431 311 08$a3-031-53680-0 320 $aIncludes bibliographical references. 327 $aIntro -- Preface -- Contents -- 1 Pedestrian Introduction -- 1.1 The Basic Lego Bricks -- 1.2 First Trivial Rules -- 1.3 Fierz Identity -- 1.4 Lie Algebra -- 1.4.1 Lie Algebra in the Fundamental Representation -- 1.4.2 Lie Algebra in the Adjoint Representation -- 1.5 Sum Up -- 2 Color Conservation, Color Rotations, and normal upper S normal upper U left parenthesis upper N right parenthesisSU(N) Irreducible Representations -- 2.1 Color Conservation Pictorially -- 2.2 Color Rotations -- 2.2.1 normal upper S normal upper U left parenthesis upper N right parenthesisSU(N) Transformations -- 2.2.2 Color Rotations of Quark and Antiquark Coordinates -- 2.2.3 Color Rotations of Gluon Coordinates -- 2.2.4 Infinitesimal Color Rotations -- 2.3 normal upper S normal upper U left parenthesis upper N right parenthesisSU(N) Irreducible Representations -- 3 Diquark Color States, Schur's Lemma and Casimir Charges -- 3.1 Irreps of a Quark Pair -- 3.2 Schur's Lemma and Transition Operators -- 3.3 Casimir Charges -- 4 Color States of q q overbarq barq, q g and q q q Systems -- 4.1 Quark-Antiquark Pair -- 4.2 Quark-Gluon Pair -- 4.2.1 Derivation of qg Irreps -- 4.2.2 Why the Tensor Method Cannot Fail -- 4.3 System or Three Quarks -- 4.3.1 Decomposition of q q q into Irreps -- 4.3.2 Transition Operators -- 5 Color States of a Gluon Pair -- 5.1 The Star -- 5.2 Irreps of a Gluon Pair -- 5.2.1 Basis of Tensors -- 5.2.2 Multiplication Table -- 5.2.3 Projectors -- 5.2.4 Some normal upper S normal upper U left parenthesis 3 right parenthesisSU(3) Identities -- 5.3 Casimir Charges of g g Irreps -- 5.4 Color States of a Gluon Pair at a Glance -- 6 Interlude: Transverse Momentum Broadening in Proton-Nucleus Collisions -- 7 Irreps of q q q and q q q overbarq q barq States by Recursive Pairing -- 7.1 System q q q. 327 $a7.1.1 Product left parenthesis q q right parenthesis Subscript Sub Subscript dollar sign bold 6 dollar sign Baseline q(qq)6q -- 7.1.2 Product left parenthesis q q right parenthesis Subscript Sub Subscript dollar sign ModifyingAbove bold 3 With bold bar dollar sign Baseline q(qq)bar3q -- 7.1.3 Sum Up: Decomposition of q q q -- 7.2 System q q q overbarqqbarq -- 8 normal upper S normal upper U left parenthesis upper N right parenthesisSU(N) Irreps from the Index Method -- 8.1 The Index Method -- 8.2 Irreps of q q q overbarqqbarq from the Index Method -- 8.2.1 bold 6 circled times ModifyingAbove bold 3 With bold bar6 otimesbar3 -- 8.2.2 ModifyingAbove bold 3 With bold bar circled times ModifyingAbove bold 3 With bold barbar3 otimesbar3 -- 8.3 Some Training Exercises -- 8.4 q q q overbarqqbarq Irreps from a Different Pairing Order -- 8.5 Relating the Irreps Found with Different Pairings -- 9 Homework: bold 6 Subscript Baseline circled times bold 8 Subscript6 otimes8 and bold 15 Subscript Baseline circled times bold 8 Subscript15 otimes8 -- 9.1 bold 6 Subscript Baseline circled times bold 8 Subscript6 otimes8 -- 9.1.1 Tensor Method -- 9.1.2 Index Method -- 9.2 bold 15 Subscript Baseline circled times bold 8 Subscript15 otimes8 -- 9.2.1 Decomposition into backslash sunSU(N) Irreps -- 9.2.2 Projectors on Lower-Dimensional Irreps -- 9.2.3 Projectors on Higher-Dimensional Irreps -- References. 330 $aThis book introduces readers to the fascinating world of quantum chromodynamics (QCD) and quarks and gluons, the elementary constituents of protons, neutrons, and all hadrons. Specifically, it focuses on the color of quarks and gluons, responsible for their mutual interactions via the strong force. The book provides an elementary introduction to the birdtrack technique, which is a powerful tool for addressing the color structure of QCD in a pictorial way. The technique shows how quark and gluon colors are combined and mixed in QCD. The author discusses color conservation, shows how to project on color states of systems of quarks, antiquarks, and gluons, how to derive their color charges. The book is enriched with many exercises integrated in the text to learn by doing. This book is primarily intended for particle physics students, graduates, and researchers working in the field of QCD. However, it requires no specific prerequisites in QCD, so it may also be of interest to students of mathematics, as an illustration of the use of the birdtrack pictorial technique in representation theory. 410 0$aSpringerBriefs in Physics,$x2191-5431 606 $aParticles (Nuclear physics) 606 $aParticles (Nuclear physics) 606 $aQuantum field theory 606 $aMathematical physics 606 $aParticle Physics 606 $aElementary Particles, Quantum Field Theory 606 $aTheoretical, Mathematical and Computational Physics 615 0$aParticles (Nuclear physics) 615 0$aParticles (Nuclear physics) 615 0$aQuantum field theory. 615 0$aMathematical physics. 615 14$aParticle Physics. 615 24$aElementary Particles, Quantum Field Theory. 615 24$aTheoretical, Mathematical and Computational Physics. 676 $a535.6 700 $aPeigne?$b Ste?phane$01738859 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910857786503321 996 $aColor in QCD$94161881 997 $aUNINA