LEADER 01191nam--2200385---450- 001 990000560180203316 005 20160315153657.0 010 $a978-88-6598-661-5 035 $a0056018 035 $aUSA010056018 035 $a(ALEPH)000056018USA01 035 $a0056018 100 $a20160315d2015----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $aaf||||||001yy 200 1 $a<> impressionisti e gli altri$epittura in Francia da Monet a Van Gogh$fConcetto Nicosia 210 $aBologna$cPendragon$d2015 215 $a238 p., [2] carte di tav.$cill.$d21 cm 606 0 $aImpressionismo$2BNCF 676 $a759.054 700 1$aNICOSIA,$bConcetto$0531052 801 0$aIT$bsalbc$gISBD 912 $a990000560180203316 951 $aXII.2.C. 2559$b11640 L.G.$cXII.2.$d387433 959 $aBK 969 $aUMA 979 $aPATTY$b90$c20010711$lUSA01$h1634 979 $aPATTY$b90$c20010711$lUSA01$h1649 979 $c20020403$lUSA01$h1705 979 $aPATRY$b90$c20040406$lUSA01$h1639 979 $aPATRY$b90$c20150918$lUSA01$h0914 979 $aANNAMARIA$b90$c20160315$lUSA01$h1536 996 $aImpressionisti e gli altri$91386578 997 $aUNISA LEADER 05487nam 22006735 450 001 9910855390803321 005 20250807132406.0 010 $a9783031535413 024 7 $a10.1007/978-3-031-53541-3 035 $a(CKB)31801663700041 035 $a(MiAaPQ)EBC31309322 035 $a(Au-PeEL)EBL31309322 035 $a(DE-He213)978-3-031-53541-3 035 $a(EXLCZ)9931801663700041 100 $a20240427d2024 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aChinese Science Fiction $eConcepts, Forms, and Histories /$fedited by Mingwei Song, Nathaniel Isaacson, Hua Li 205 $a1st ed. 2024. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (306 pages) 225 1 $aStudies in Global Science Fiction,$x2569-8834 311 08$a9783031535406 327 $aChapter 1. Introduction -- Chapter 2. Kang Youwei?s Book of the Heavens and the Porous Epistemological Grounds of Early-modern Chinese Science Fiction -- Chapter 3. Intelligent Humanoid Machines: Imaginations of Physical and Mental Transformation in late Qing Literature and Their Intellectual Origins -- Chapter 4. The King of Electricity from China: Science, Technology, and the Vision of World Order in Late Qing China -- Chapter 5. Formal Fictions: ?Chinese? ?Science? ?Fiction? in Translation -- Chapter 6. The Writing Editors: Late Qing and Republican Media Professionals as Authors of Science Fiction -- Chapter 7. Projecting Eco-Futures: Cinematic Visions of Utopian Science and Ecology from the Mao Era to the Deng Era -- Chapter 8. Information, the Body, and Humanism in the Chinese Cyber Novel Forty Millennia of Authenticity Cultivation -- Chapter 9. Open Up Your Brain Hole: Spatial Imaginaries in Chinese Online Science Fiction -- Chapter 10. Of Illness and Illusion: The Chaosmology of Han Song?s Hospital Trilogy -- Chapter 11. Liu Cixin and the Cosmic Pastoral -- Chapter 12. Bodies in Transformation: The Politics of Post-80s Science Fiction Authors Chi Hui, Chen Qiufan, and Zhang Ran -- Chapter 13. The Posthuman and the Neo-Baroque in Taiwan Science Fiction . 330 $a"The collection, a first-of-its-kind project in English-language scholarship, heralds a kind of Chinese sf studies 2.0, emphasizing the multiple points of origin and the sheer diversity of the histories, cultures, aesthetic expressions, and transmedial forms that together make up the sprawling field of ?Chinese science fiction.? ?Veronica Hollinger, co-editor, Science Fiction Studies This volume brings together emerging approaches and addresses shifting paradigms in Chinese science fiction studies, offering a window on fan cultures, internet fiction, gender, eco-criticism, post-humanism and biomedical discourse. These studies present a ?second wave? of Chinese science fiction studies, re-evaluating the canon of Chinese science fiction print and cinematic production, and expand the range of critical approaches to the subject. These studies also demonstrate that Chinese science fiction represents a significant contribution to modern Chinese cultural production, both in terms of its value, speaking powerfully to our modern condition, and its sheer volume in terms of production and consumption. Chinese science fiction speaks to both China?s rapidly shifting reality, its political multiplicity and its formless future, voicing the anticipations and anxieties of a new epoch filled with accelerating alterations and increasing uncertainty. Mingwei Song is Professor of Modern Chinese Literature at Wellesley College. He is the author of numerous books and research articles, including Young China: National Rejuvenation and the Bildungsroman, 1900?1959 (2015) and Fear of Seeing: A Poetics of Chinese Science Fiction (2023). Nathaniel Isaacson is Associate Professor of Modern Chinese Literature in the Department of World Languages and Cultures at North Carolina State University. He is the author of Celestial Empire: the Emergence of Chinese Science Fiction (2017). Hua Li is Professor of Chinese in the Department of Modern Languages and Literatures at Montana State University. She has published Contemporary Chinese Fiction by Su Tong and Yu Hua: Coming of Age in Troubled Times (2011) and Chinese Science Fiction during the Post-Mao Cultural Thaw (2021). 410 0$aStudies in Global Science Fiction,$x2569-8834 606 $aOriental literature 606 $aFiction 606 $aPopular culture 606 $aTranslating and interpreting 606 $aChina$xHistory 606 $aAsian Literature 606 $aFiction Literature 606 $aPopular Culture 606 $aLanguage Translation 606 $aHistory of China 615 0$aOriental literature. 615 0$aFiction. 615 0$aPopular culture. 615 0$aTranslating and interpreting. 615 0$aChina$xHistory. 615 14$aAsian Literature. 615 24$aFiction Literature. 615 24$aPopular Culture. 615 24$aLanguage Translation. 615 24$aHistory of China. 676 $a895.135 702 $aSong$b Mingwei 702 $aIsaacson$b Nathaniel 702 $aLi$b Hua 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910855390803321 996 $aChinese Science Fiction$94235484 997 $aUNINA