LEADER 02400nam 22004933 450 001 9910853987003321 005 20250314080358.0 010 $a9781784914141 010 $a1784914142 035 $a(CKB)5470000001295084 035 $a(BIP)077536892 035 $a(VLeBooks)9781784914141 035 $a(MiAaPQ)EBC31204067 035 $a(Au-PeEL)EBL31204067 035 $a(OCoLC)1507701029 035 $a(EXLCZ)995470000001295084 100 $a20250314d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCamera Kalaureia $eAn Archaeological Photo-Ethnography | ??? ???????????? ????-?????????? 205 $a1st ed. 210 1$aOxford :$cArchaeopress,$d2016. 210 4$dİ2016. 215 $cill 311 08$a9781784914127 311 08$a1784914126 330 8 $aHow can we find alternative, sensorially rich and affective ways of engaging with the material past in the present? How can photography play a central role in archaeological narratives, beyond representation and documentation? This photo-book engages with these questions, not through conventional academic discourse but through evocative creative practice. The book is, at the same time, a site guide of sorts: a photographic guide to the archaeological site of the Sanctuary of Poseidon in Kalaureia, on the island of Poros, in Greece. Ancient and not-so-ancient stones, pine trees that were "wounded" for their resin, people who lived amongst the classical ruins, and the tensions and the clashes with the archaeological apparatus and its regulations, all become palpable, affectively close and immediate. Furthermore, the book constitutes an indirect but concrete proposal for the adoption of archaeological photo-ethnography as a research as well as public communication tool for critical heritage studies, today. 606 $aPhotography in archaeology 606 $aPhotography in ethnology 615 0$aPhotography in archaeology. 615 0$aPhotography in ethnology. 676 $a930.1028 700 $aHamilakis$b Yannis$0503794 701 $aIfantidis$b Fotis$01744740 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910853987003321 996 $aCamera Kalaureia$94330025 997 $aUNINA