LEADER 05913nam 22005895 450 001 9910847596603321 005 20250807135754.0 010 $a9783031421822 010 $a3031421825 024 7 $a10.1007/978-3-031-42182-2 035 $a(CKB)31435471300041 035 $a(MiAaPQ)EBC31267385 035 $a(Au-PeEL)EBL31267385 035 $a(DE-He213)978-3-031-42182-2 035 $a(EXLCZ)9931435471300041 100 $a20240409d2024 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEuropean Cinema in the Streaming Era $ePolicy, Platforms, and Production /$fedited by Christopher Meir, Roderik Smits 205 $a1st ed. 2024. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (339 pages) 225 1 $aPalgrave European Film and Media Studies,$x2634-6168 311 08$a9783031421815 311 08$a3031421817 320 $aIncludes bibliographical references and index. 327 $aSection I: European Policy and Streaming Cinema -- 1.Is the European Film Co-production as We know It in Peril?: The Cases for and against Article 13 of the Revised EU?s Audiovisual Media Service Directive (AVMSD) Petar Mitric, University of Copenhagen -- 2. Integrating Global SVOD Platforms into the French Regulation System Ana Vinuela, Associate professor, Université Sorbonne Nouvelle -- 3.New AVMSD, Old Purpose: EU Film Policy and the Portuguese Case Mariana Liz, University of Lisbon -- 4.The Process of Becoming Non-European: The Online Distribution of UK Film in the EU Post-Brexit Virginia Crisp, King?s College, London Section II: SVOD platforms and the Circulation of European Films -- 5. Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- 6. Algorithm vs. Curation: The Logics of Recommendation and the Realities of Discoverability and Availability in the European VOD Experience Mattias Frey, University of Kent -- 7.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- 8.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- Section III: SVOD-Financed European Production -- 9. Producing Spanish Cinema (and Television) in the Streaming Era: Morena Films and the Global SVOD Platforms Christopher Meir, Universidad Carlos III de Madrid -- 10.Transnational SVOD Production in the European Periphery Petr Szczepanik, Charles University in Prague -- 11. Accidental Films Inside a Bigger Strategy: Investigating the Film CoProduction Agreement between Mediaset and Netflix Luca Barra (Università di Bologna) and Paolo Noto (Università di Bologna) -- 12.Particularising the Universal in Aléxandre Aja?s Oxygène Reece Goodall (University of Warwick) and Mary Harrod (University of Warwick) -- 13.Undercovering. An Analysis of the Production and Textual Strategies of Local(ized) Transmedia Storytelling: The Case of Netflix?s Series Undercover and its Film Spin-Off Ferry Eduard Cuelenaere (University of Ghent) and Stijn Joye (University of Ghent). 330 $a?Timely and wide-ranging, this is a lucid and essential read. It offers a telling account of the far-reaching impacts of the global streaming revolution on all facets of today?s European film industries, as they transition from the recent sweeping changes to a still evolving future.? Laura Rascaroli, Professor of Film and Media at University College Cork ?This excellent collection demonstrates how European producers, distributors and exhibitors have found various ways of engaging with the streaming platforms ? oppositional, evasive or integrational. What constitutes ?Europeanness? is being revised and redefined through the work of numerous important scholars in the field.? Andrew Spicer, Professor of Cultural Production, University of the West of England This collection examines the impact of streaming platforms on European cinema. It is structured from three distinct points-of-view: the policy issues related to streaming platforms, equally at the European level and in individual countries; the impact of platforms on the circulation of European films, including some of the global players, multi-national and single-nation platforms operating in Europe; and the production activities of the platforms in the form of specific ?original? films. By bringing together scholars working on various national cinemas, including those of France, Spain, Britain and other countries, this collection illuminates the many ways in which the European film industry is responding to the digital revolution. Christopher Meir is Assistant Professor of Communication at the Universidad Carlos III de Madrid. Roderik Smits is Research Fellow in Film and Media Studies at the Universidad Carlos III de Madrid. Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com. 410 0$aPalgrave European Film and Media Studies,$x2634-6168 606 $aMotion picture plays, European 606 $aMotion picture industry 606 $aTelevision broadcasting 606 $aEuropean Film and TV 606 $aFilm and Television Industry 615 0$aMotion picture plays, European. 615 0$aMotion picture industry. 615 0$aTelevision broadcasting. 615 14$aEuropean Film and TV. 615 24$aFilm and Television Industry. 676 $a791.450232 702 $aMeir$b Christopher 702 $aSmits$b Roderik 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910847596603321 996 $aEuropean Cinema in the Streaming Era$94234238 997 $aUNINA