LEADER 03713nam 22005775 450 001 9910847587703321 005 20240412130925.0 010 $a3-031-53692-4 024 7 $a10.1007/978-3-031-53692-2 035 $a(MiAaPQ)EBC31276289 035 $a(Au-PeEL)EBL31276289 035 $a(CKB)31517314500041 035 $a(DE-He213)978-3-031-53692-2 035 $a(EXLCZ)9931517314500041 100 $a20240412d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCuban Fusion $eThe Transnational Cuban Alternative Music Scene /$fby Eva Silot Bravo 205 $a1st ed. 2024. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (191 pages) 311 $a3-031-53691-6 320 $aIncludes bibliographical references and index. 327 $aChapter 1 Introduction -- Chapter 2 Towards a Post-National Cuban Imaginary: Theoretical and Historical Context -- Chapter 3 Cubanidad ?in-between:? the Transnational Cuban Alternative Music Scene (TCAMS) -- Chapter 4 TCAMS and the Music Industry -- Chapter 5 Conclusions- Cuban Fusion Music across Borders. 330 $a?An invaluable study of Cuban music making in diaspora.? ?Robin D. Moore, Professor of Ethnomusicology, Butler School of Music, The University of Texas at Austin, USA ?Silot Bravo's study thus provides a rare glimpse into a space where artists navigate between political constraints, fostering a global citizenship that goes beyond the rigid political lines often associated with Cuban studies.? ?Greg Landau, Ph.D., Producer, Educator & Music Historian, USA ?Drawing from decades of experience in diplomacy, music scholarship, and arts advocacy, Bravo's careful study of oft-neglected alternative artists is sure to challenge thinking surrounding what Cuban music sounds like and who gets to participate.? ?Mike Levine, Assistant Professor in Musicology, Christopher Newport University, USA Surveying the impact of Cuba's economic crisis after the demise of the eastern socialist block, this book documents a relatively unexplored transnational network of collaborations among Cuban musicians that migrated to many different countries from the 1990s forward. The book?s main argument is that in light of the 1990s crisis in Cuba, new transnational and alternative narratives emerged, resulting in creative ?in-between? spaces that reflect a post- socialist aesthetic condition. The manuscript also documents important developments in the Cuban jazz and fusion scenes outside the island in the last 20+ years. Eva Silot Bravo has a PhD in Cultural Studies, Spanish and Literatures from The University of Miami (FL, USA). She has taught at University of Miami, Barry University, Miami Dade Public School System, The Branson School in Ross, CA and currently at Oakland School for the Arts in Oakland, CA. In United Nations she represented Cuba and developing countries (G77). 606 $aPopular music 606 $aEthnology$xLatin America 606 $aCulture 606 $aJazz 606 $aPopular Music 606 $aLatin American Culture 606 $aJazz 615 0$aPopular music. 615 0$aEthnology$xLatin America. 615 0$aCulture. 615 0$aJazz. 615 14$aPopular Music. 615 24$aLatin American Culture. 615 24$aJazz. 676 $a780.97291 700 $aBravo$b Eva Silot$01736373 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910847587703321 996 $aCuban Fusion$94156215 997 $aUNINA