LEADER 01826nam a2200349 i 4500 001 991002487239707536 005 20020508201042.0 008 010704s1975 it 00| 0 ita d 035 $ab11016668-39ule_inst 035 $aPARLA163543$9ExL 040 $aDip.to Filosofia$bita 082 0 $a942 100 1 $aWilley, Basil$0148196 245 13$aLa cultura inglese del Seicento e del Settecento /$cBasil Willey 260 $aBologna :$bIl mulino,$c1975 300 $a604 p. ;$c21 cm 490 0 $aCollezione di testi e di studi.$pStoriografia 500 $aContiene, in trad. italiana: The seventeenth century background, The eighteenth century background 500 $aTrad. di Alessandra Dal Farra 651 4$aInghilterra$xCultura$ySec. 17.-18. 907 $a.b11016668$b23-02-17$c28-06-02 912 $a991002487239707536 945 $aLE008 FL.M. 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Soul Train Locamotives -- Chapter 2. Popping and Other Dis/Appearing Acts -- Chapter 3. The Rebirth of Waacking/Punking -- Bedtime Story -- Notes -- Bibliography -- Index$7Generated by AI. 330 3 $aKinethic California: Dancing Funk and Disco Era Kinships documents the emergence of new forms of black social and vernacular dance in 1970s California, forms embedded in local cultural histories but connected to the contemporary global culture of hip hop/streetdance. The book weaves interviews and ethnographies of first generation (1960s-70s) dancers of strutting, boogaloo, robotting, popping, locking, waacking, and punking styles, as it advances a theory of dance as kinetic kinship formation, through a focus on techniques and practices of the dancers themselves. The term given to these collective movement practices is kinethic, to bring attention to motion at the core of black aesthetics that generate dances as forms of kinship beyond blood relation. Kinethics reorient dancers toward kinetic kinship in ways that give continuity to black dance lineages under persistent conditions of disappearance and loss. As dancers engage kinethics, they reinvent gestural vocabularies that describe worlds they imagine into knowing-being. The stories in Kinethic California attend to the aesthetics of everyday movement, seen through the lens of young artists who from childhood listened to their family's soul and funk records, observed the bent-leg strolls and rhythmic handshakes of people moving through their neighborhoods, and watched each other move at house parties, school gyms, and around-the-way social clubs. Their aesthetic sociality and geographic movement provided materials for collective study and creative play. Naomi Macalalad Bragin attends to such multidirectional conversations between dancer, community, and tradition, by way of which California dance lineages emerge and take flight. 410 0$aStudies in dance: theories and practices. 517 3 $aKinethic California :$edancing funk and disco era kinships 606 $aAfrican American dance$zCalifornia$xHistory and criticism 606 $aAfrican Americans$xSocial life and customs 606 $aHip-hop$xHistory and criticism 615 0$aAfrican American dance$xHistory and criticism. 615 0$aAfrican Americans$xSocial life and customs. 615 0$aHip-hop$xHistory and criticism. 676 $a793.3 686 $aPER000000$aPER003100$aPER021000$2bisacsh 700 $aBragin$b Naomi Macalalad$01770997 801 0$bEYM 801 1$bEYM 906 $aBOOK 912 $a9910847494703321 996 $aKinethic California$94254838 997 $aUNINA