LEADER 04437nam 22006255 450 001 9910842288003321 005 20250807135459.0 010 $a9783031513916 010 $a3031513916 024 7 $a10.1007/978-3-031-51391-6 035 $a(CKB)30764564900041 035 $a(MiAaPQ)EBC31200778 035 $a(Au-PeEL)EBL31200778 035 $a(DE-He213)978-3-031-51391-6 035 $a(EXLCZ)9930764564900041 100 $a20240301d2024 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArchaeological Ambassadors $eA History of Archaeological Gifts in New York City /$fby Elizabeth R. Macaulay 205 $a1st ed. 2024. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (279 pages) 311 08$a9783031513909 311 08$a3031513908 320 $aIncludes bibliographical references and index. 327 $aChapter 1: Archaeological Ambassadors -- Chapter 2: Cleopatra?s Needle: An Obelisk for a Rising Metropolis -- Chapter 3: Greek Bearing Gifts: The Marathon Stone, Casts, and Presidential Gifts -- Chapter 4. Columns as Cultural Capital: The Jordanian Practice of Gifting Archaeological Objects -- Chapter 5: An Exquisite Toy: The Temple of Dendur, a Gift for New York -- Chapter 6: Walks with Minerva and the Contemporary Lives of Archaeological Gifts. . 330 $a?A thorough and insightful analysis of the histories of four archaeological artifacts which entered the public space of New York City as diplomatic gifts. The objects are important in-and-of themselves as archaeological artifacts but Macaulay shows that they came to be intricately embedded in the city?s evolving identity as a powerhouse of international political and economic relations. Her refreshing approach takes into account the political framework of gift exchange both in originating countries and in the US as well as the legal framework of circulation of antiquities.? ?Nassos Papalexandrou, University of Texas, Austin. This book investigates why nations with rich archaeological pasts like Egypt, Greece, and Jordan gave important antiquities?often unique, rare, and highly valued monuments?to New York City, New York Institutions, and the United States from 1879 to 1965. In addition to analyzing the givers? motivations, the author examines why New Yorkers and Americans coveted such objects. The book argues that these gifted antiquities function as archaeological ambassadors and that the objects given were instruments of cultural diplomacy. These gifts sought to advance the goals of Egypt, Greece, and Jordan?all states that had rich cultural and archaeological heritages?with the United States, once an ascendent nation and then a global superpower, to strengthen cultural, economic, and political relations. Elizabeth R. Macaulay is an Associate Professor of Liberal Studies, Classics, Middle Eastern Studies, and Digital Humanities at The Graduate Center, The City University of New York. Her research examines the intersection of antiquity and modernity. She is the author or editor of six books, including Antiquity in Gotham: The Ancient Architecture of New York City (2021) and Classical New York: Discovering Greece and Rome in Gotham (2018). Educated at Cornell and Oxford Universities, she has served as a general trustee of the Archaeological Institute of America. She chairs the board of Smarhistory.org, the Center for Public Art History, where she is also a regular contributor and acquiring editor. 606 $aCulture$xStudy and teaching 606 $aArt$xHistory 606 $aCultural property 606 $aUnited States$xHistory 606 $aVisual Culture 606 $aArt History 606 $aCultural Heritage 606 $aUS History 615 0$aCulture$xStudy and teaching. 615 0$aArt$xHistory. 615 0$aCultural property. 615 0$aUnited States$xHistory. 615 14$aVisual Culture. 615 24$aArt History. 615 24$aCultural Heritage. 615 24$aUS History. 676 $a659.299301 700 $aMacaulay$b Elizabeth R.$01732560 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910842288003321 996 $aArchaeological Ambassadors$94146930 997 $aUNINA LEADER 04243nam 22004933 450 001 9911012668903321 005 20250730080351.0 010 $a1-80511-449-2 010 $a1-80511-450-6 024 7 $a10.11647/OBP.0436 035 $a(CKB)39412958700041 035 $a(MiAaPQ)EBC32223297 035 $a(Au-PeEL)EBL32223297 035 $a(NjHacI)9939412958700041 035 $a(EXLCZ)9939412958700041 100 $a20250730d2025 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGender-Based Violence in Arts and Culture $ePerspectives on Education and Work 205 $a1st ed. 210 1$aCambridge, UK :$cOpen Book Publishers,$d2025. 210 4$dİ2025. 215 $a1 online resource (233 pages) 311 08$a1-80511-448-4 327 $aIntro -- Contents -- Contributor Biographies -- 1. A Comprehensive Understanding of Gender-Based Violence in Artistic and Cultural Worlds-Introduction -- Marie Buscatto, Sari Karttunen and Mathilde Provansal -- Part I: Gender-Based Violence, Power Relations and the Reproduction of Gender Inequalities -- 2. French Opera: A Professional World Haunted by Gender-Based Violence -- Marie Buscatto -- 3. Navigating the Boundary between Subjection and Agency: Gender-Based Violence in the Japanese Popular Music Industry -- Chiharu Chujo 4. Gender-Based Violence in French Art Schools and the Reproduction of Gender Inequality in Contemporary Art -- Mathilde Provansal -- Part II: Creating Representations of Gender-Based Violence in Art and Culture -- 5. The Helsinki School: Gendered Image Shaping and Gender-Based Violence in a Photography Branding Project -- Leena-Maija Rossi and Sari Karttunen -- 6. Creating Content about Gender-Based Violence and Sexuality while Being Subjected to Sexual Harassment: Experiences of UK Screen Industries Workers -- Anna Bull -- Part III: Challenging Gender-Based Violence in Artistic Work 7. Playing Is Not Consenting: Sexual Harassment in New York Theatre -- Bleuwenn Lechaux -- 8. From Rumours to Calling Out: Denunciations of Gender-Based Violence in Electronic Dance Music in France -- Alice Laurent-Camena -- General Conclusion -- Marie Buscatto, Sari Karttunen and Mathilde Provansal -- Afterword -- Paula-Irene Villa -- Index. 330 $aThis book offers a groundbreaking exploration of the pervasive issue of gender-based violence (GBV) within the realms of art and cultural production. This collection of essays delves into both the overt and subtle forms of GBV. It spans sexual harassment, assault, and the everyday sexism ingrained in creative workplaces and art schools, in both professional and private dimensions. The book covers a wide array of artistic sectors-opera, visual arts, music, and theatre-across diverse global contexts, from Europe to Asia and North America. By incorporating feminist and sociological theories, the essays not only examine the structural power dynamics that perpetuate GBV but also highlight efforts to challenge and dismantle these systems. The book addresses both criminal acts of violence and the "ordinary" forms of sexism that pervade artistic spaces, making visible the normalized patterns of behavior that maintain gender inequality. The volume is divided into three parts: the production of GBV, its representations in cultural work, and the initiatives to counteract it. A crucial contribution to ongoing discussions of workplace and educational inequality, this timely volume fills a notable gap in research on gender-based violence within the arts. Its methodological rigor and international perspective ensure that it will serve as a key resource for scholars, practitioners, and advocates alike. 606 $aPsychic trauma 606 $aFeminist theory 615 0$aPsychic trauma. 615 0$aFeminist theory. 676 $a616.8521 700 $aBuscatto$b Marie.$00 701 $aKarttunen$b Sari$01834345 701 $aProvansal$b Mathilde$01834346 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911012668903321 996 $aGender-Based Violence in Arts and Culture$94409799 997 $aUNINA