LEADER 04635nam 22008055 450 001 9910838368803321 005 20220602213345.0 010 $a0-226-08549-X 024 7 $a10.7208/9780226085494 035 $a(CKB)2550000001167985 035 $a(EBL)1573580 035 $a(OCoLC)864899637 035 $a(SSID)ssj0001060765 035 $a(PQKBManifestationID)11634167 035 $a(PQKBTitleCode)TC0001060765 035 $a(PQKBWorkID)11097015 035 $a(PQKB)10461860 035 $a(StDuBDS)EDZ0000155252 035 $a(DE-B1597)524828 035 $a(DE-B1597)9780226085494 035 $a(MiAaPQ)EBC1573580 035 $a(EXLCZ)992550000001167985 100 $a20200424h20142013 fg 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aComposing Japanese Musical Modernity /$fBonnie C. Wade 210 1$aChicago :$cUniversity of Chicago Press,$d[2014] 210 4$dİ2013 215 $a1 online resource (282 p.) 225 0 $aChicago Studies in Ethnomusicology 300 $aDescription based upon print version of record. 311 $a0-226-08521-X 311 $a1-306-18067-8 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tTable of Contents --$tAcknowledgments --$tIntroduction --$tPart One: Composers in the Infrastructures of Japanese Modernity --$tPart Two: Japanese Composers in Shared Cultural Spaces of Western Music --$tPart Three: The Presence in Japan of European Spheres of Musical Participation --$tConclusion --$tChronology --$tNotes --$tGlossary --$tBibliography --$tIndex 330 $aWhen we think of composers, we usually envision an isolated artist separate from the orchestra-someone alone in a study, surround by staff paper-and in Europe and America this image generally has been accurate. For most of Japan's musical history, however, no such role existed-composition and performance were deeply intertwined. Only when Japan began to embrace Western culture in the late nineteenth century did the role of the composer emerge. In Composing Japanese Musical Modernity, Bonnie Wade uses an investigation of this new musical role to offer new insights not just into Japanese music but Japanese modernity at large and global cosmopolitan culture. Wade examines the short history of the composer in Japanese society, looking at the creative and economic opportunities that have sprung up around them-or that they forged-during Japan's astonishingly fast modernization. She shows that modernist Japanese composers have not bought into the high modernist concept of the autonomous artist, instead remaining connected to the people. Articulating Japanese modernism in this way, Wade tells a larger story of international musical life, of the spaces in which tradition and modernity are able to meet and, ultimately, where modernity itself has been made. 410 0$aChicago Studies in Ethnomusicology 606 $aComposers -- Japan 606 $aMusic -- Japan -- 19th century -- History and criticism 606 $aMusic -- Japan -- 20th century -- History and criticism 606 $aMusic -- Japan -- Western influences 606 $aComposers$xWestern influences$y20th century$zJapan 606 $aMusic$zJapan$xHistory and criticism 606 $aMusic$zJapan 606 $aMusic$2HILCC 606 $aMusic, Dance, Drama & Film$2HILCC 606 $aMusic History & Criticism, General$2HILCC 610 $ajapan, composition, composer, music, audio, modern, contemporary, major, college, university, textbook, asia, asian, eastern, orchestra, artist, instrumental, musician, performance, 19th century, culture, cultural, global, cosmopolitan, society, social studies, academic, scholarly, research, economics, modernization, technology, change, tradition. 615 4$aComposers -- Japan. 615 4$aMusic -- Japan -- 19th century -- History and criticism. 615 4$aMusic -- Japan -- 20th century -- History and criticism. 615 4$aMusic -- Japan -- Western influences. 615 0$aComposers$xWestern influences 615 0$aMusic$xHistory and criticism 615 0$aMusic 615 7$aMusic 615 7$aMusic, Dance, Drama & Film 615 7$aMusic History & Criticism, General 676 $a780.952 686 $aLQ 94000$qBVB$2rvk 700 $aWade$b Bonnie C.$4aut$4http://id.loc.gov/vocabulary/relators/aut$0648362 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910838368803321 996 $aComposing Japanese Musical Modernity$94138965 997 $aUNINA