LEADER 03699nam 22005773 450 001 9910838325803321 005 20230710053536.0 010 $a0-252-05400-8 035 $a(MiAaPQ)EBC30280382 035 $a(Au-PeEL)EBL30280382 035 $a(OCoLC)1337409524 035 $a(MdBmJHUP)musev2_109452 035 $a(EXLCZ)9926830145600041 100 $a20230606d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAaron Copland in Latin America $eMusic and Cultural Politics 205 $a1st ed. 210 1$aChampaign :$cUniversity of Illinois Press,$d2023. 210 4$dİ2023. 215 $a1 online resource (429 pages) 225 1 $aMusic in American Life Series 311 08$aPrint version: Hess, Carol A. Aaron Copland in Latin America Champaign : University of Illinois Press,c2023 9780252086953 327 $aPart I : A citizen diplomat prepares. Introduction ; Copland and the beginnings of U.S. cultural diplomacy ; Copland as good neighbor : A musical diplomat and the OIAA -- Part II : Copland, Latin America, and World War II. Diplomat "in the field" ; Copland in Argentina ; Copland in Brazil ; Copland in Chile ; "The fiery trial through which we pass" : The Americas at war -- Part III : Copland, Latin America, and the Postwar. Copland, Latin America, and the early Cold War ; Shifting ground : Copland, Latin America, and the crisis of modernism ; A "living refutation to Communist-inspired lies" : Copland in Latin America in the sixties ; Latin American classical music and memory. 330 $a"Between 1941 and 1963, Aaron Copland made four government-sponsored tours of Latin America that drew extensive attention at home and abroad. Interviews with eyewitnesses, previously untapped Latin American press accounts, and Copland's diaries inform Carol A. Hess's in-depth examination of the composer's approach to cultural diplomacy. As Hess shows, Copland's tours facilitated an exchange of music and ideas with Latin American composers while capturing the tenor of United States diplomatic efforts at various points in history. In Latin America, Copland's introduced works by U.S. composers, including himself, through lectures, radio broadcasts, live performance, and conversations. Back at home, he used his celebrity to draw attention to regional composers he admired. Hess's focus on Latin America's reception of Copland provides a variety of outside perspectives on the composer and his mission. She also teases out the broader meanings behind reviews of Copland and examines his critics in the context of their backgrounds, training, aesthetics, and politics"--$cProvided by publisher. 410 0$aMusic in American Life Series 606 $aMusic and diplomacy$zLatin America$xHistory$y20th century 606 $aCultural diplomacy$zLatin America$xHistory$y20th century 606 $aPan-Americanism$xHistory$y20th century 606 $aMUSIC / Genres & Styles / Classical$2bisacsh 606 $aBIOGRAPHY & AUTOBIOGRAPHY / Music$2bisacsh 607 $aLatin America$2fast 608 $aHistory. 615 0$aMusic and diplomacy$xHistory 615 0$aCultural diplomacy$xHistory 615 0$aPan-Americanism$xHistory 615 7$aMUSIC / Genres & Styles / Classical 615 7$aBIOGRAPHY & AUTOBIOGRAPHY / Music 676 $a780.92 686 $aMUS006000$aBIO004000$2bisacsh 700 $aHess$b Carol A$01731320 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910838325803321 996 $aAaron Copland in Latin America$94143750 997 $aUNINA