LEADER 00688nam0-22002531i-450- 001 990001244720403321 035 $a000124472 035 $aFED01000124472 035 $a(Aleph)000124472FED01 035 $a000124472 100 $a20000920d1927----km-y0itay50------ba 101 0 $aeng 200 1 $aNon-riemannian geometry$fBY EISENHART.L.P. 210 $aNew York$cAmerican Mathematical Society$d1927 300 $aVOL.VIII 700 1$aEisenhart,$bLuther Pfahler$042055 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001244720403321 952 $a28-E-7$b0779$fMA1 959 $aMA1 996 $aNon-riemannian geometry$9353841 997 $aUNINA DB $aING01 LEADER 01891nam2 2200349 i 450 001 SUN0001198 005 20111012095137.44 010 $a88-08-14308-2 020 $aIT$b94 4794 100 $a20020701d1994 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aArt. 40 supplemento$elegge 12 giugno 1990, n. 146: norme sull'esercizio del diritto di sciopero nei servizi pubblici essenziali$fUmberto Romagnoli, Maria Vittoria Ballestrero 205 $aBologna : Zanichelli$gRoma : Soc. ed. del Foro italiano, 1994 210 $aXI$d337 p. ; 25 cm 215 $aVolume presente anche nel fondo Tribunale. 461 1$1001SUN0005375$12001 $a*Commentario della Costituzione$fa cura di Giuseppe Branca$gpoi fondato da Giuseppe Branca e continuato da Alessandro Pizzorusso$1210 $aBologna$c Zanichelli ; Roma$cIl foro italiano$1215 $avolumi$d24 cm. 606 $aLavoratori dei servizi pubblici$xSciopero$xDiritto$2FI$3SUNC000789 620 $dBologna$3SUNL000003 676 $a344.4501892813636$v21 702 1$aRomagnoli$b, Umberto$3SUNV001040 702 1$aBallestrero$b, Maria Vittoria$3SUNV001041 712 $aZanichelli$3SUNV004332$4650 801 $aIT$bSOL$c20181109$gRICA 912 $aSUN0001198 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$d00 CONS VIII.D.25 L.146/90 $e00 7236 ART.40 suppl. 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$d00 CONS VIII.D.25 40 bis $e00 FT 35921 995 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$h7236$kCONS VIII.D.25 L.146/90 ART.40 suppl.$oc$qa 995 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$gFT$h35921$kCONS VIII.D.25 40 bis$op$qa 996 $aArt. 40 supplemento$91004593 997 $aUNICAMPANIA LEADER 03471oam 2200577Mu 450 001 9910831853403321 005 20240513012836.0 010 $a9781003011408 010 $a1003011403 010 $a9781000766578 010 $a1000766578 010 $a9781000766257 010 $a100076625X 024 8 $ahttps://doi.org/10.4324/9781003011408 035 $a(CKB)4100000009930946 035 $a(MiAaPQ)EBC5986732 035 $a(OCoLC)1129171335$z(OCoLC)1129395097 035 $a(OCoLC-P)1129171335 035 $a(FlBoTFG)9781003011408 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/63914 035 $a(ScCtBLL)523e68c4-414f-4b0d-a5d3-11af43e45694 035 $a(oapen)doab63914 035 $a(EXLCZ)994100000009930946 100 $a20191130d2019 uy 0 101 0 $aeng 135 $aurcnu---unuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBaroque Lorca $eAn Arcaist Playwright for the New Stage 205 $a1st ed. 210 $aMilton $cRoutledge$d2019 215 $a1 online resource (171 pages) 225 1 $aRoutledge Studies in Twentieth-Century Literature 300 $aDescription based upon print version of record. 311 08$a9780367820091 311 08$a0367820099 320 $aIncludes bibliographical references and index. 327 $aCover; Half Title; Series Page; Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Note on Translations; Introduction; 1 The Question of Allegory; 2 Of Human and Puppets; 3 Facing the Audience; 4 Revolution in the Playhouse; 5 Writing for the Stage; Epilogue; Work Cited; Index 330 $aBaroque Lorca: An Arcaist Playwright for the New Stage defines Federico Garca Lorca's trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industry, and situates the theory and praxis of his theatrical reform in dialogue with other modernist renovators of the stage. This book makes special emphasis on how Lorca engaged with the tradition of Spanish Baroque, in particular with Cervantes and Caldern, to break away from the conventions of the illusionist stage. The five chapters of the book analyze Lorca's different attempts to change the dynamics of the Spanish stage from 1920 to his assassination in 1936: His initial incursions in the arenas of symbolist and historical drama (The Butterfly's Evil Spell, Mariana Pineda); his interest in puppetry (The Billy-Club Puppets and In the Frame of Don Cristbal) and the two human' farces The Shoemaker's Prodigious Wife and The Love of Don Perlimpln and Belisa in the Garden; the central piece in his project of impossible' theater (The Public); his most explicitly political play, one that takes the violence to the spectators' seats (The Dream of Life); and his three plays adopting, an altering, the contemporary formula of rural drama' (Blood Wedding, Yerma and The House of Bernarda Alba). 410 $aRoutledge Studies in Twentieth-Century Literature 606 $aBaroque literature$xInfluence 615 0$aBaroque literature$xInfluence. 676 $a868.6209 700 $aPe?rez-Simo?n$b Andre?s$01745381 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910831853403321 996 $aBaroque Lorca$94176099 997 $aUNINA