LEADER 03640nam 22004095 450 001 9910831806603321 005 20240429170515.0 010 $a90-485-5457-8 024 7 $a10.1515/9789048554577 035 $a(CKB)29269355900041 035 $a(DE-B1597)664848 035 $a(DE-B1597)9789048554577 035 $a(EXLCZ)9929269355900041 100 $a20231209h20232023 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aHow Film Histories Were Made $eMaterials, Methods, Discourses /$fed. by Yvonne Zimmermann, Malte Hagener 210 1$aAmsterdam :$cAmsterdam University Press,$d[2023] 210 4$d2023 215 $a1 online resource (530 p.) 225 0 $aFilm Culture in Transition 327 $tFrontmatter --$tTable of Contents --$tList of Illustrations --$tIntroduction: Unpacking Film History's Own Histories --$tI Models of Film Historiography: Philosophy and Time --$t1 The Aporias of Cinema History --$t2 What Next? The Historical Time Theory of Film History --$t3 Relativist Perspectivism --$t4 The Discovery of Early Cinema --$tII Film History in the Making: Processes and Agendas --$t5 Consistency, Explosion, and the Writing of Film History --$t6 Defeats that Were Almost Victories --$t7 A Film-maker's Film Histories --$t8 Hans Richter and the "Struggle for the Film History" --$tIII Revisiting Film History: Institutions, Knowledge, and Circulation --$t9 Historicizing the Gulf Moving Image Archives --$t10 British Cultural Studies, Film History, and Forgotten Horizons of Cultural Analysis --$t11 The Rise and Fall of Secular Realism --$t12 What Was a Film Society? --$tIV Rewriting Film History with Images: Audiovisual Forms of Historiography --$t13 A Televisual Cinematheque Film Histories on West German Television --$t14 The History of Film on Film --$t15 Audiovisual Film Histories for the Digital Age --$tV Into the Digital: New Approaches and Revisions --$t16 Future Pasts within the Dynamics of the Digital Present Digitized Films and the Clusters of Media Historiographic Experience --$t17 Tipping the Scales of Film History --$t18 Representing the Unknown --$tSelect Bibliography --$tIndex 330 $aThis book is specifically dedicated to film history's own history: It provides insights into the fabrication of film histories and the discourses on their materials and methods in the past in order to better understand and reconsider film history today. The interventions unpack unspoken assumptions and hidden agendas that determine film historiography until today, also with the aim to act as a critical reflection on the potential future orientation of the field. The edited volume proposes a transnational, entangled and culturally diverse approach towards an archaeology of film history, while paying specific attention to persons, objects, infrastructures, regions, institutional fields and events hitherto overlooked. It explores past and ongoing processes of doing, undoing and redoing film history. Thereby, in a self-reflective gesture, it also draws attention to our own work as film historians. 606 $aHISTORY / Historiography$2bisacsh 610 $aFilm History, Media Archaeology, Historiography. 615 7$aHISTORY / Historiography. 702 $aHagener$b Malte$f1971-$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aZimmermann$b Yvonne$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910831806603321 996 $aHow Film Histories Were Made$93600543 997 $aUNINA