LEADER 02982nam 2200505 450 001 9910830966803321 005 20220901141105.0 010 $a1-119-88504-3 010 $a1-119-88506-X 010 $a1-119-88505-1 035 $a(MiAaPQ)EBC6837100 035 $a(Au-PeEL)EBL6837100 035 $a(CKB)20343300700041 035 $a(OCoLC)1297840799 035 $a(OCoLC)1294294282 035 $a(OCoLC-P)1294294282 035 $a(CaSebORM)9781786306708 035 $a(EXLCZ)9920343300700041 100 $a20220901d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRecording and voice processing$hVolume 1 $ehistory and generalities /$fJean-Michel Re?veillac 205 $a1st edition. 210 1$aLondon ;$aHoboken, NJ :$cISTE Ltd :$cJohn Wiley and Sons Inc.,$d[2021] 210 4$dİ2021 215 $a1 online resource (247 pages) 311 08$aPrint version: Rveillac, Jean-Michel Recording and Voice Processing, Volume 1 Newark : John Wiley & Sons, Incorporated,c2022 9781786306708 320 $aIncludes bibliographical references and index. 330 $aCapturing, recording and broadcasting the voice is often difficult. Many factors must be taken into account and achieving a true representation is much more complex than one might think. The capture devices such as the position of the singer(s) or narrator(s), the acoustics, atmosphere and equipment are just some of the physical aspects that need to be mastered. Then there is the passage through the analog or digital channel, which disrupts the audio signal, as well as the processes that are often required to enrich, improve or even transform the vocal timbre and tessitura. While in the past these processes were purely material, today digital technologies and software produce surprising results that every professional in recording and broadcasting should know how to master. Recording and Voice Processing 1 addresses some general theoretical concepts. A history of recording and the physiology of the vocal apparatus are detailed in order to give the reader an understanding of the fundamental aspects of the subject. This volume also includes an advanced study of microphones, addressing their characteristics and typologies. The acoustic environment and its treatment are also considered in terms of the location of the sound capture - whether in a home studio, recording studio, live or natural environment - in order to achieve a satisfactory sound recording. 606 $aVoice 606 $aSound$xRecording and reproducing 615 0$aVoice. 615 0$aSound$xRecording and reproducing. 676 $a621.3893 700 $aReveillac$b Jean-Michel$0877405 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910830966803321 996 $aRecording and voice processing$93933345 997 $aUNINA