LEADER 03493nam 2200565 450 001 9910830320703321 005 20221108033325.0 010 $a1-299-27742-X 010 $a0-470-39457-9 010 $a1-84704-576-6 010 $a0-470-61244-4 010 $a1-118-61399-6 035 $a(CKB)3230000000207207 035 $a(StDuBDS)AH25036394 035 $a(MiAaPQ)EBC700736 035 $a(MiAaPQ)EBC5205682 035 $a(MiAaPQ)EBC261985 035 $a(Au-PeEL)EBL261985 035 $a(OCoLC)829706610 035 $a(PPN)183435141 035 $a(EXLCZ)993230000000207207 100 $a20180130h20062005 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aMusic and acoustics $efrom instrument to computer /$fPhilippe Guillaume 210 1$aNewport Beach, California :$cISTE,$d2006. 210 4$dİ2005 215 $a1 online resource (199 p. ) $cill 225 0 $aSociete Francaise d'Acoustique 311 $a1-905209-26-6 320 $aIncludes bibliographical references and index. 327 $aSounds -- Music Instruments -- Scales and Temperaments -- Psychoacoustics -- Digital sound -- Synthesis and Sound Effects. 330 $aPresents an overview on the nature of musical sounds, from their production by acoustic music instruments to synthesized sounds obtained with computers. This book covers topics, including sound propagation, Fourier and time-frequency analysis, psychoacoustics, analog and digital signal processing theory, computer science and MP3 sound compression. 330 $bHow can a piano tuner obtain such high precision with no other measuring device than their own ears? How can a sequence of notes seem to rise continuously despite coming back periodically to the same notes? What are the possibilities and the limits of digital sound? These are a few examples of questions that are discussed in this book, which presents an overview on the nature of musical sounds, from their production by acoustic music instruments to synthesized sounds obtained with computers. The topics that are treated include sound propagation, Fourier and time-frequency analysis, psychoacoustics, analog and digital signal processing theory, computer science and MP3 sound compression, and of course... music! How can a piano tuner obtain such high precision with no other measuring device than their own ears? How can a sequence of notes seem to rise continuously despite coming back periodically to the same notes? What are the possibilities and the limits of digital sound? These are a few examples of questions that are discussed in this book, which presents an overview on the nature of musical sounds, from their production by acoustic music instruments to synthesized sounds obtained with computers. The topics that are treated include sound propagation, Fourier and time-frequency analysis, psychoacoustics, analog and digital signal processing theory, computer science and MP3 sound compression, and of course... music! 606 $aMusic$xAcoustics and physics 606 $aComputer sound processing 615 0$aMusic$xAcoustics and physics. 615 0$aComputer sound processing. 676 $a781.23 700 $aGuillaume$b Philippe$f1955-$0993656 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910830320703321 996 $aMusic and acoustics$92275275 997 $aUNINA