LEADER 03307nam 2200517 450 001 9910830085903321 005 20220901222146.0 010 $a1-119-88797-6 010 $a1-119-88798-4 010 $a1-119-88796-8 024 7 $a10.1002/9781119887980 035 $a(MiAaPQ)EBC6829318 035 $a(Au-PeEL)EBL6829318 035 $a(CKB)20189013200041 035 $a(OCoLC)1290486214 035 $a(OCoLC)1290137110 035 $a(OCoLC-P)1290137110 035 $a(CaSebORM)9781786307385 035 $a(EXLCZ)9920189013200041 100 $a20220901d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRecording and voice processing$hVolume 2 /$fJean-Michel Reveillac 210 1$aLondon, England ;$aNew York, New York :$cISTE, Ltd. :$cJohn Wiley & Sons, Incorporated,$d[2021] 210 4$d©2021 215 $a1 online resource (243 pages) 225 1 $aWaves series 311 08$aPrint version: Réveillac, Jean-Michel Recording and Voice Processing 2 Newark : John Wiley & Sons, Incorporated,c2022 9781786307385 320 $aIncludes bibliographical references and index. 327 $aFront Matter -- Processing Hardware and Software -- Configuration and the Audio System -- Voice Recording -- Special Effects -- Conclusion -- Appendices. Sound Unit -- Audio Connectivity -- Audio Processing Plugins -- Microphone Pairs -- Types of Software Plugins -- Glossary -- References -- Index -- Other titles from iSTE in Waves 330 $aCapturing, recording and broadcasting the voice is often difficult. Many factors must be taken into account and achieving a true representation is much more complex than one might think. The capture devices such as the position of the singer(s) or narrator(s), the acoustics, atmosphere and equipment are just some of the physical aspects that need to be mastered. Then there is the passage through the analog or digital channel, which disrupts the audio signal, as well as the processes that are often required to enrich, improve or even transform the vocal timbre and tessitura. While in the past these processes were purely material, today digital technologies and software produce surprising results that every professional in recording and broadcasting should know how to master. Recording and Voice Processing 2 focuses on live and studio voice recordings. It presents the various pieces of hardware and software necessary for voice recording, and details possible sound channel configurations based on recording location. An actual recording, and its various constraints, is then considered, addressing the pitfalls to avoid and the strategies to use in order to achieve a satisfactory result. Different special effects (vocoder, auto-tune, Melodyne, etc.) that can be used on the voice, whether spoken or sung, are also presented. 410 0$aWaves series. 606 $aSound$xRecording and reproducing 615 0$aSound$xRecording and reproducing. 676 $a781.49 700 $aReveillac$b Jean-Michel$0877405 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910830085903321 996 $aRecording and voice processing$93933345 997 $aUNINA