LEADER 05007nam 2200661 a 450 001 9910830069903321 005 20170809152137.0 010 $a1-78268-836-6 010 $a1-281-21424-8 010 $a9786611214241 010 $a0-470-79440-2 010 $a0-470-77620-X 010 $a1-4051-3763-0 035 $a(CKB)1000000000410431 035 $a(EBL)228567 035 $a(OCoLC)475936734 035 $a(SSID)ssj0000166304 035 $a(PQKBManifestationID)11164856 035 $a(PQKBTitleCode)TC0000166304 035 $a(PQKBWorkID)10147338 035 $a(PQKB)10380917 035 $a(MiAaPQ)EBC228567 035 $a(PPN)250504553 035 $a(EXLCZ)991000000000410431 100 $a20040421d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 12$aA guide to ancient Greek drama$b[electronic resource] /$fIan C. Storey and Arlene Allan 210 $aMalden, MA $cBlackwell Pub.$d2005 215 $a1 online resource (330 p.) 225 1 $aBlackwell guides to classical literature 300 $aDescription based upon print version of record. 311 $a1-4051-0214-4 320 $aIncludes bibliographical references (p. [296]-304) and index. 327 $aA Guide to Ancient Greek Drama; Contents; Preface; List of Figures; List of Maps; Abbreviations and Signs; 1 Aspects of Ancient Greek Drama; Drama; The Dramatic Festivals; Drama and Dionysos; The Theatrical Space; The Performance; Drama and the Polis; 2 Greek Tragedy; On the Nature of Greek Tragedy; Aeschylus; Sophokles; Euripides; The Other Tragedians; 3 The Satyr-Play; 4 Greek Comedy; Origins; Old Comedy; The Generations of Old Comedy; Aristophanes; Middle Comedy; Menander and New Comedy; 5 Approaching Greek Drama; Textual Criticism and Commentary; New Criticism; Structuralism 327 $aMyth and "Version"Ritual and Drama; Psychoanalytic Approaches; Gender Studies; Performance Criticism; 6 Play Synopses; Aeschylus' Persians (Persae, Persai); Aeschylus' Seven (Seven against Thebes); Aeschylus' Suppliants (Suppliant Women, Hiketides); Aeschylus' Oresteia; Aeschylus' Agamemnon; Aeschylus' Libation-Bearers (Choephoroe); Aeschylus' Eumenides (Furies); Aeschylus' Prometheus Bound (Prometheus Vinctus, Prometheus Desmotes); Sophokles' Ajax (Aias); Sophokles' Antigone; Sophokles' Trachinian Women (Trachiniai, Women of Trachis) 327 $aSophokles' Oedipus Tyrannos (King Oedipus, Oedipus Rex, Oedipus the King)Sophokles' Elektra (Electra); Sophokles' Philoktetes (Philoctetes); Sophokles' Oedipus at Kolonos (Colonus); Euripides' Alkestis (Alcestis); Euripides' Medea; Euripides' Children of Herakles (Heraclidae, Herakleidai); Euripides' Hippolytos; Euripides' Andromache; Euripides' Hecuba (Hekabe); Euripides' Suppliant Women (Suppliants, Hiketides); Euripides' Elektra (Electra); Euripides' Herakles (Hercules Furens, The Madness of Herakles); Euripides' Trojan Women (Troades) 327 $aEuripides' Iphigeneia among the Taurians (Iphigeneia in Tauris)Euripides' Ion; Euripides' Helen; Euripides' Phoenician Women (Phoinissai); Euripides' Orestes; Euripides' Iphigeneia at Aulis; Euripides' Bacchae (Bacchants); Euripides' Cyclops; [Euripides'] Rhesos; Aristophanes' Acharnians; Aristophanes' Knights (Hippeis, Equites, Horsemen); Aristophanes' Wasps (Sphekes, Vespae); Aristophanes' Peace (Pax, Eirene); Aristophanes' Clouds (Nubes, Nephelai); Aristophanes' Birds (Ornithes, Aves); Aristophanes' Lysistrate; Aristophanes' Women at the Thesmophoria (Thesmophoriazousai) 327 $aAristophanes' Frogs (Ranae, Batrachoi)Aristophanes' Assembly-Women (Ekklesiazousai); Aristophanes' Wealth (Ploutos); Menander's The Grouch (Old Cantankerous, Dyskolos); Menander's Samian Woman (Samia) or Marriage-contract; A Note on Meter; Glossary of Names and Terms; Further Reading; Index 330 $aThis Blackwell Guide introduces ancient Greek drama, which flourished principally in Athens from the sixth century BC to the third century BC.A broad-ranging and systematically organised introduction to ancient Greek drama. Discusses all three genres of Greek drama - tragedy, comedy, and satyr play. Provides overviews of the five surviving playwrights - Aeschylus, Sophokles, Euripides, Aristophanes, and Menander, and brief entries on lost playwrights. Covers contextual issues such as: the origins of dramatic art forms; the conventions of the festivals and 410 0$aBlackwell guides to classical literature. 606 $aGreek drama$xHistory and criticism$vHandbooks, manuals, etc 615 0$aGreek drama$xHistory and criticism 676 $a882.009 676 $a882.0109 676 $a882/.0109 700 $aStorey$b Ian Christopher$f1946-$0788637 701 $aAllan$b Arlene$0788638 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910830069903321 996 $aGuide to ancient Greek drama$91758192 997 $aUNINA LEADER 05832nam 22009255 450 001 9910253337003321 005 20240718193319.0 010 $a9781137552952 010 $a1137552956 024 7 $a10.1057/9781137552952 035 $a(CKB)3710000000517097 035 $a(EBL)4096857 035 $a(SSID)ssj0001616644 035 $a(PQKBManifestationID)16349224 035 $a(PQKBTitleCode)TC0001616644 035 $a(PQKBWorkID)14921913 035 $a(PQKB)10531869 035 $a(SSID)ssj0001580032 035 $a(PQKBManifestationID)16258068 035 $a(PQKBTitleCode)TC0001580032 035 $a(PQKBWorkID)12483726 035 $a(PQKB)11696360 035 $a(DE-He213)978-1-137-55295-2 035 $a(MiAaPQ)EBC4096857 035 $a(PPN)191697788 035 $a(Perlego)3487409 035 $a(EXLCZ)993710000000517097 100 $a20160126d2016 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBritish TV Comedies $eCultural Concepts, Contexts and Controversies /$fedited by Juergen Kamm, Birgit Neumann 205 $a1st ed. 2016. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2016. 215 $a1 online resource (378 p.) 300 $aDescription based upon print version of record. 311 08$a9781349555185 311 08$a1349555185 311 08$a9781137552945 311 08$a1137552948 320 $aIncludes bibliographical references and index. 327 $aIntroduction: the aesthetics and politics of British tv comedy -- The 1950s and 1960s: beginnings of the British sitcom and the satire boom. Richard Kilborn (Stirling): A golden age of British sitcom? Hancock's half hour and Steptoe and son -- Bernd Lenz (Passau): "Your little game": myth and war in Dad's army (1968-1977) -- Alexander Brock (Halle/Saale): The struggle of class against class is a what struggle? Monty Python's Flying circus and its politics -- Mary Irwin (Northumbria): the rag trade: "everybody out!" gender, politics and class on the factory floor -- The 1970s and 1980s: new loyalties, histories and collective identities: post-familiar paradigms. Nora Plesske (Braunschweig): "Sambo" and "Snowflake": race and race relations in Love thy neighbour -- Paul Davies (Passau): "You snobs! you stupid stuck-up toffee-nosed half-witted upper-class piles of pus! Basil Fawlty's touch of class and other hotel matters in Fawlty towers -- Ju?rgen Kamm (Passau): Ignorant master, capable servants: the politics of Yes minister and Yes prime minister -- Eckart Voigts (Braunschweig): Zany "alternative comedy": The young ones vs. Margaret Thatcher -- Gerold Sedlmayr (Dortmund): The uses of history in Blackadder -- Deirdre Osborne (London): With some additional information from Stephen Bourne (London): Black British comedy: Desmond's and the changing face of television -- The 1990s: (un)doing gender and race. Jochen Petzold (Regensburg): Laughing at racism or laughing with the racists? the "Indian comedy" of Goodness gracious me -- Rainer Emig (Mainz): Exploding family values, lampooning feminism, exposing consumerism: Absolutely fabulous -- Lucia Kra?mer (Hanover): Comic strategies of inclusion and "normalisation" in the Vicar of Dibley -- John Hill (London): Subverting the sitcom from within: form, ideology and Father Ted -- Marion Gymnich (Bonn): "The lady of the house speaking": the conservative portrayal of English class stereotypes in Keeping up appearances -- Angela Krewani (Marburg): Family life in front of the telly: The Royle family -- Brett Mills (Norwich): Old jokes: One foot in the grave, comedy and the elderly -- The 2000s: Britcom boom "new Britain = "cool Britannia"? -- Anette Pankratz (Bochum): Spin, swearing and slapstick: The thick of it (2005-2012) -- Philip Jacobi (Passau): Life is stationary: mockumentary and embarrassment in The office (2001-2003) -- Joanna Rostek and Dorothea Will (Passau): From ever-lusting individuals to ever-lasting couples: Coupling (2000-2004) and emotional capitalism -- Oliver Lindner (Kiel): The comic nation: Little Britain and the politics of representation -- Stephan Karschay (Passau): Laughing in horror: hybrid genre and the grotesque body in Psychoville. 330 $aThis collection offers an overview of British TV comedies, ranging from the beginnings of sitcoms in the 1950s to the current boom of 'Britcoms'. It provides in-depth analyses of major comedies, systematically addressing their generic properties, filmic history, humour politics and cultural impact. 606 $aEthnology 606 $aCulture 606 $aMotion pictures 606 $aTelevision broadcasting 606 $aCommunication 606 $aMotion pictures$xHistory 606 $aMass media 606 $aArts 606 $aRegional Cultural Studies 606 $aFilm and Television Studies 606 $aMedia and Communication 606 $aFilm and TV History 606 $aMedia Sociology 606 $aArts 615 0$aEthnology. 615 0$aCulture. 615 0$aMotion pictures. 615 0$aTelevision broadcasting. 615 0$aCommunication. 615 0$aMotion pictures$xHistory. 615 0$aMass media. 615 0$aArts. 615 14$aRegional Cultural Studies. 615 24$aFilm and Television Studies. 615 24$aMedia and Communication. 615 24$aFilm and TV History. 615 24$aMedia Sociology. 615 24$aArts. 676 $a791.45/6170941 702 $aKamm$b Ju?rgen$f1955-$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aNeumann$b Birgit$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910253337003321 996 $aBritish TV Comedies$92499970 997 $aUNINA