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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe Blair Witch project /$fPeter Turner
210  1$aLeighton, Buzzard :$cAuteur,$d2014.
210  4$dİ2014
215   $a1 online resource (95 pages)
225 1 $aDevil's advocates
225 1 $aLiverpool scholarship online
311   $a1-906733-84-8 
320   $aIncludes bibliographical references (pages 91-95).
327   $aIntroduction -- The making of The Blair witch project -- The aesthetics of artificial authenticity -- Who am I? Positioning the spectator and identification -- Fear of the dark : Witches, women, and the woods -- Marketing, reception and legacy.
330   $aFew films have had the influence and impact of The Blair Witch Project (1999). Its arrival was a horror cinema palette cleanser after a decade of serial killers and postmodern intertextuality, a bare bones 'found footage' trend setter. In this Devil's Advocate, Peter Turner tells the story of the film from its conception and production then provides a unique analysis of the techniques used, their appeal to audiences and the themes that helped make the film such an international hit, including the pioneering internet marketing.
410  0$aDevil's advocates.
410  0$aLiverpool scholarship online.
606   $aHorror films$zUnited States
615  0$aHorror films
676   $a791.4372
700   $aTurner$b Peter$c(Lecturer in film and media studies),$0368221
801  0$bStDuBDS
801  1$bStDuBDS
906   $aBOOK
912   $a9910829897303321
996   $aThe Blair Witch project$94094869
997   $aUNINA