LEADER 02451nam 2200553 450 001 9910829896103321 005 20230120093442.0 010 $a1-80085-022-0 010 $a1-80034-215-2 010 $a1-80034-740-5 010 $a1-906733-89-9 035 $a(CKB)3710000000391741 035 $a(EBL)1866950 035 $a(SSID)ssj0001535487 035 $a(PQKBManifestationID)11862797 035 $a(PQKBTitleCode)TC0001535487 035 $a(PQKBWorkID)11500341 035 $a(PQKB)10536108 035 $a(StDuBDS)EDZ0002405660 035 $a(MiAaPQ)EBC1866950 035 $a(EXLCZ)993710000000391741 100 $a20210107e20212015 fy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBlack Sunday /$fMartyn Conterio$b[electronic resource] 210 1$aOxford :$cOxford University Press,$d2021. 215 $a1 online resource (101 p.) 225 1 $aDevil's advocates 225 1 $aLiverpool scholarship online 300 $aPreviously issued in print: Leighton Buzzard: Auteur, 2015. 311 $a1-906733-83-X 320 $aIncludes bibliographical references. 327 $aContents; Introduction; 1. Context; 2. The Birth of Italian Horror; 3. Production and Reception; 4. Influences & Adaptation; 5. Analysis; 6. Black Sunday's Legacy; Conclusion; Bibliography 330 8 $aDespite its reputation as one of the greatest and most influential of all horror films, there is surprisingly little literature dedicated to Mario Bava's 'Black Sunday' (1960), and this work is the first single book dedicated to it. This book places the film in the historical context of being one of the first sound Italian horror films and how its success kick-started the Italian horror boom. It considers the particularly Italian perspective on the gothic that the film pioneered and its fresh and pioneering approach to horror tropes such as the vampire and the witch and considers how the casting of British 'Scream Queen' Barbara Steele was crucial to the film's effectiveness and success. 410 0$aDevil's advocates. 410 0$aLiverpool scholarship online. 606 $aHorror films$zItaly 615 0$aHorror films 676 $a791.4361640945 700 $aConterio$b Martyn$01665933 801 0$bStDuBDS 801 1$bStDuBDS 906 $aBOOK 912 $a9910829896103321 996 $aBlack Sunday$94024902 997 $aUNINA