LEADER 04396nam 22006614a 450 001 9910829200903321 005 20240410053429.0 010 $a1-280-28899-X 010 $a9786610288991 010 $a0-203-02374-9 035 $a(CKB)1000000000251757 035 $a(EBL)214775 035 $a(OCoLC)437066176 035 $a(SSID)ssj0000198204 035 $a(PQKBManifestationID)11178003 035 $a(PQKBTitleCode)TC0000198204 035 $a(PQKBWorkID)10169561 035 $a(PQKB)11702243 035 $a(MiAaPQ)EBC214775 035 $a(Au-PeEL)EBL214775 035 $a(CaPaEBR)ebr10163641 035 $a(CaONFJC)MIL28899 035 $a(OCoLC)56955961 035 $a(FINmELB)ELB142928 035 $a(EXLCZ)991000000000251757 100 $a20041025d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMarkets in fashion$b[electronic resource] $ea phenomenological approach /$fPatrik Aspers 205 $a1st ed. 210 $aLondon ;$aNew York $cRoutledge$d2006 215 $a1 online resource (274 p.) 225 1 $aRoutledge studies in business organizations and networks ;$v31 300 $aDescription based upon print version of record. 311 $a0-415-51142-9 311 $a0-415-34619-3 320 $aIncludes bibliographical references (p. [225]-237) and index. 327 $aCover; Markets in Fashion: A phenomenological approach; Copyright; Contents; Foreword; Preface to the second edition; Preface to the first edition; 1 Introduction; Research questions; Photography and fashion; Art, money and craft in photography; The production of pictures; A note on the organization of this book; 2 The study of markets; Types of markets; Economic theories of markets; Sociological theories of markets; Summary; 3 An overview of the fashion photography business; The markets; The actors who produce fashion photographs; The magazine; The role of the advertising agency; Summary 327 $a4 Fashion photographers as producersThe meaning structure of the producers; The customers; To work for a magazine; Working for an advertising agency; Two meaning structures - two markets?; The low-fashion photographer; The two types of photographers look at each other; Generalizing the results; Elevators of status; Summary; 5 The consumers of fashion photographs; Are there two different types of consumers?; The role of magazines; The fashion editor; The advertising agencies; Comparing the fashion editor and the art director; Summary; 6 The two markets for fashion photography 327 $aMarkets through phenomenologyThe two production markets for fashion photography; Gradual changes and the role of status; Radical change: transcending the meaning structure; This study and the theories employed; Summary; 7 Towards a phenomenological sociology; Aesthetics in markets and society; Markets as a form of social interaction; The role of empirical phenomenology; Appendix A: a guide to phenomenological sociology; The action perspective; Objectivism versus subjectivism; Phenomenology; The philosopher: Edmund Husserl; The social scientist: Alfred Schu?tz 327 $aPhenomenologically inspired sociologyEmpirical phenomenology; Appendix B: empirical work; Notes; Bibliography; Index 330 $aInterest in contemporary cultural industries has grown in the past decade, as they take on a greater significance in our increasingly consumer-led society. Focusing on the world of fashion photography, this book presents an interdisciplinary approach in which this and other aesthetic markets, such as advertising, modelling, art, music and more, can be viewed.The main thrust of this groundbreaking book, is in developing a theory for these cultural markets, characterized by insecurity, and where status and aesthetic diversity generate order and price differentiation. In these industrie 410 0$aRoutledge studies in business organization and networks ;$v31. 606 $aFashion photography$xSocial aspects$zSweden 615 0$aFashion photography$xSocial aspects 676 $a778.9/974692 686 $a85.40$2bcl 700 $aAspers$b Patrik$f1970-$01614583 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910829200903321 996 $aMarkets in fashion$93944433 997 $aUNINA