LEADER 03378nam 2200577 450 001 9910829145803321 005 20230808212536.0 010 $a90-04-30208-5 024 7 $a10.1163/9789004302082 035 $a(CKB)3710000000504652 035 $a(EBL)4397564 035 $a(SSID)ssj0001579344 035 $a(PQKBManifestationID)16253877 035 $a(PQKBTitleCode)TC0001579344 035 $a(PQKBWorkID)12422211 035 $a(PQKB)10070587 035 $a(MiAaPQ)EBC4397564 035 $a(nllekb)BRILL9789004302082 035 $a(EXLCZ)993710000000504652 100 $a20160615h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe understanding of ornament in the Italian Renaissance /$fby Clare Lapraik Guest 210 1$aLeiden, Netherlands ;$aBoston, [Massachusetts] :$cBrill,$d2016. 210 4$d©2016 215 $a1 online resource (708 p.) 225 1 $aBrill's Studies in Intellectual History,$x0920-8607 ;$vVolume 245 225 1 $aBrill's Studies on Art, Art History, and Intellectual History, ;$vVolume 10 300 $aDescription based upon print version of record. 311 $a90-04-29796-0 320 $aIncludes bibliographical references and indexes. 327 $aPreliminary Material -- Introduction -- 1 Kosmos -- 2 Rhetoric and Illusion -- 3 Cosmic Decor -- 4 Architecture and the City -- 5 Garland and Mosaic in Literary Humanism -- 6 Topics and Style -- 7 Ornament and Disegno, Colour and Perspective -- 8 The City Recovered, Triumph and Time -- 9 The Emblematic Continuum -- 10 Spolia and Ornamental Design -- 11 The Grottesche Part 1. Fragment to Field -- 12 The Grottesche Part 2. Signs, Topography and the Dream of Painting -- Conclusion -- Bibliography of Works Cited -- Index of Names -- Index of Places -- Subject Index. 330 $aIn this paradigm shifting study, developed through close textual readings and sensitive analysis of artworks, Clare Lapraik Guest re-evaluates the central role of ornament in pre-modern art and literature. Moving from art and thought in antiquity to the Italian Renaissance, she examines the understandings of ornament arising from the Platonic, Aristotelian and Sophistic traditions, and the tensions which emerged from these varied meanings. The book views the Renaissance as a decisive point in the story of ornament, when its subsequent identification with style and historicism are established. It asserts ornament as a fundamental, not an accessory element in art and presents its restoration to theoretical dignity as essential to historical scholarship and aesthetic reflection. 410 0$aBrill's studies in intellectual history ;$vv. 245. 410 0$aBrill's studies in intellectual history.$pBrill's studies on art, art history, and intellectual history ;$vv. 10. 606 $aDecoration and ornament$xPhilosophy 606 $aDecoration and ornament, Renaissance$zItaly 615 0$aDecoration and ornament$xPhilosophy. 615 0$aDecoration and ornament, Renaissance 676 $a747.094509024 700 $aGuest$b Clare Lapraik$01675677 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910829145803321 996 $aThe understanding of ornament in the Italian Renaissance$94041359 997 $aUNINA LEADER 03280nam0-2200589---450 001 9910293555903321 005 20241211121608.0 012 $aD.EN esi, n-p- vagl (3) 1808 (A)$2fei$5IT-NA0338: A VI 349 (1 012 $aD.EN esi, n-p- vagl (3) 1808 (A)$2fei$5IT-NA0338: D III 57 012 $ao-u* B.n- s,t. amte (3) 1815 (A)$2fei$5IT-NA0338: A VI 349 (2 012 $ao-u* B.n- s,t. amte (3) 1815 (A)$2fei$5IT-NA0338: D III 58 012 $al-po n-n. isn- gusi (3) 1818 (A)$2fei$5IT-NA0338: A VI 350 (1 012 $al-po n-n. isn- gusi (3) 1818 (A)$2fei$5IT-NA0338: D III 59 012 $aa-u* e-a- n.e- sual (3) 1825 (A)$2fei$5IT-NA0338: A VI 350 (2, var. 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