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100   $a20150709d2015      uy|            0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aCulture, trauma, and conflict $ecultural studies perspectives on war /$fedited by Nico Carpentier
205   $a2nd ed.
210  1$aNewcastle upon Tyne :$cCambridge Scholars Publishing,$d2015.
215   $a1 online resource (336 p.)
300   $aDescription based upon print version of record.
311   $a1-4438-7056-0 
320   $aIncludes bibliographical references and indexes.
327   $aTABLE OF CONTENTS; INTRODUCTION; PART I:; "FORT LIVING ROOM"; GOOD GRIEF:; MEDIA, GENOCIDE AND HOTEL RWANDA; PHOTOS FOR ACCESS:; PART II:; ABU GHRAIB, WAR MEDIA AND THE GRAYZONES OF IMPERIAL CITIZENSHIP; TORTURE:; PART III:; NEWS IMAGES AS LIVED IMAGES; AMERICAN INFANTS; LIFE AND DEATH IN THE SHADOWOF THE A-BOMB; INTERSECTING TRAUMAS; FROM INDIVIDUAL TRAGEDYTO SOCIETAL DISLOCATION; ABOUT THE AUTHORS; AUTHOR INDEX; SUBJECT INDEX
330   $aWar was pervasive in the 20th century, and the 21st century seems to hold little promise of improvement. It remains one of the world's most destructive forces, which, on a daily basis, touches the lives of millions of people. To increase an understanding of the pervasiveness and destructiveness of the institution of war, all possible frameworks of knowledge must be mobilized. Cultural War Studies has an important role to play in adding to this knowledge, by putting the critical vocabulary of ...
606   $aWar and society
615  0$aWar and society.
676   $a303.66
702   $aCarpentier$b Nico
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910829078303321
996   $aCulture, trauma, and conflict$93965422
997   $aUNINA