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100   $a20060130d2005      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aBooks in motion $eadaptation, intertextuality, authorship /$fedited by Mireia Aragay
205   $a1st ed.
210   $aAmsterdam ;$aNew York $cRodopi$d2005
215   $a1 online resource (290 p.)
225 1 $aContemporary cinema ;$v2
300   $aDescription based upon print version of record.
311   $a90-420-1957-3 
320   $aIncludes bibliographical references.
327   $aCONTENTS; List of Illustrations; Acknowledgements; Introduction; Paradoxes of Fidelity; Authors, Auteurs, Adaptation; Contexts, Intertexts, Adaptation; Beyond Adaptation; Notes on Contributors
330   $aBooks in Motion addresses the hybrid, interstitial field of film adaptation. The introductory essay integrates a retrospective survey of the development of adaptation studies with a forceful argument about their centrality to any history of culture-any discussion, that is, of the transformation and transmission of texts and meanings in and across cultures. The thirteen especially composed essays that follow, organised into four sections headed 'Paradoxes of Fidelity', 'Authors, Auteurs, Adaptation', 'Contexts, Intertexts, Adaptation' and 'Beyond Adaptation', variously illustrate that claim by
410  0$aContemporary cinema ;$v2.
606   $aFiction$vFilm adaptations
606   $aFilm adaptations
606   $aMotion pictures and literature
606   $aIntertextuality
615  0$aFiction
615  0$aFilm adaptations.
615  0$aMotion pictures and literature.
615  0$aIntertextuality.
676   $a791.436
701   $aAragay$b Mireia$01596795
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910829027203321
996   $aBooks in motion$93918305
997   $aUNINA