LEADER 00915nam--2200337---450- 001 990002125020203316 005 20090403152313.0 035 $a000212502 035 $aUSA01000212502 035 $a(ALEPH)000212502USA01 035 $a000212502 100 $a20041029d1971----km-y0itay0103----ba 101 0 $afre 102 $aFR 105 $a||||||||001yy 200 1 $a<>economie chinoise$fJan Deleyne 210 $aParis$cEditions du Seuil$d1971 215 $a224 p.$d23 cm 454 1$12001 461 1$1001-------$12001 676 $a330.951 700 1$aDELEYNE,$bJan$0130255 801 0$aIT$bsalbc$gISBD 912 $a990002125020203316 951 $a330.951 DEL 1 (ISE VI 104)$b11022 G.$cISE VI$d00204988 959 $aBK 969 $aECO 979 $aSIAV5$b10$c20041029$lUSA01$h1446 979 $aRSIAV4$b90$c20090403$lUSA01$h1523 996 $aÉconomie chinoise$953897 997 $aUNISA LEADER 03914nam 22008172 450 001 9910829001703321 005 20151005020622.0 010 $a1-107-22038-6 010 $a1-139-06364-2 010 $a1-283-11135-7 010 $a9786613111357 010 $a1-139-07599-3 010 $a0-511-74004-2 010 $a1-139-07826-7 010 $a1-139-07025-8 010 $a1-139-08055-5 010 $a1-139-08282-5 035 $a(CKB)2670000000088911 035 $a(EBL)691937 035 $a(OCoLC)727649220 035 $a(SSID)ssj0000522824 035 $a(PQKBManifestationID)11913755 035 $a(PQKBTitleCode)TC0000522824 035 $a(PQKBWorkID)10538582 035 $a(PQKB)10677906 035 $a(UkCbUP)CR9780511740046 035 $a(MiAaPQ)EBC691937 035 $a(Au-PeEL)EBL691937 035 $a(CaPaEBR)ebr10470834 035 $a(CaONFJC)MIL311135 035 $a(EXLCZ)992670000000088911 100 $a20100407d2011|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGender, nationalism, and war $econflict on the movie screen /$fMatthew Evangelista$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2011. 215 $a1 online resource (xiii, 289 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-17354-X 311 $a1-107-00194-3 320 $aIncludes bibliographical references and index. 327 $aPreface -- Virginia Woolf's purse -- Algeria : a world constructed out of ruins -- Yugoslavia : archetype or anomaly? -- Chechnya : virgins, mothers, and terrorists -- Que?bec : oui, no, or femme -- 'To live to see better times' : gender, nationalism, sovereignty, equality -- Sequel : gender and nationalist violence on film. 330 $aVirginia Woolf famously wrote 'as a woman I have no country', suggesting that women had little stake in defending countries where they are considered second-class citizens, and should instead be forces for peace. Yet women have been perpetrators as well as victims of violence in nationalist conflicts. This unique book generates insights into the role of gender in nationalist violence by examining feature films from a range of conflict zones. In The Battle of Algiers, female bombers destroy civilians while men dress in women's clothes to prevent the French army from capturing and torturing them. Prisoner of the Mountains shows a Chechen girl falling in love with her Russian captive as his mother tries to rescue him. Providing historical and political context to these and other films, Matthew Evangelista identifies the key role that economic decline plays in threatening masculine identity and provoking the misogynistic violence that often accompanies nationalist wars. 517 3 $aGender, Nationalism, & War 606 $aWomen in motion pictures 606 $aWar films$xHistory and criticism 606 $aSex role in motion pictures 606 $aNationalism in motion pictures 606 $aPolitical violence in motion pictures 606 $aMen in motion pictures 606 $aWomen$xPolitical activity 606 $aViolence in women 615 0$aWomen in motion pictures. 615 0$aWar films$xHistory and criticism. 615 0$aSex role in motion pictures. 615 0$aNationalism in motion pictures. 615 0$aPolitical violence in motion pictures. 615 0$aMen in motion pictures. 615 0$aWomen$xPolitical activity. 615 0$aViolence in women. 676 $a791.42/6581 700 $aEvangelista$b Matthew$f1958-$01676173 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910829001703321 996 $aGender, nationalism, and war$94042217 997 $aUNINA