LEADER 04160oam 2200733I 450 001 9910828969803321 005 20210628102827.0 010 $a1-134-87692-0 010 $a1-280-32159-8 010 $a0-203-42107-8 010 $a1-134-87693-9 010 $a0-415-09025-3 024 7 $a10.4324/9780203421079 035 $a(CKB)111056485359948 035 $a(EBL)170366 035 $a(OCoLC)52079215 035 $a(SSID)ssj0000152198 035 $a(PQKBManifestationID)11158030 035 $a(PQKBTitleCode)TC0000152198 035 $a(PQKBWorkID)10321826 035 $a(PQKB)10481011 035 $a(MiAaPQ)EBC170366 035 $a(CaSebORM)9780415090261 035 $a(Au-PeEL)EBL170366 035 $a(CaPaEBR)ebr10058069 035 $a(CaONFJC)MIL32159 035 $a(EXLCZ)99111056485359948 100 $a20180706d1997 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdacontent 183 $acr$2rdacarrier 200 14$aThe explicit body in performance /$fRebecca Schneider 205 $a1st edition 210 1$aLondon ;$aNew York :$cRoutledge,$d1997. 215 $a1 online resource (249 pages) 300 $aDescription based upon print version of record. 311 $a0-415-09026-1 311 $a0-203-30598-1 320 $aIncludes bibliographical references (p. [213]-224) and index. 327 $aCover; The Explicit Body in Performance; Copyright; Contents; List of plates; Acknowledgments; Introduction; GHOST OF THE AVANT-GARDE; DESIRE AND THE SATIATE BODY; TWISTING THE MAP; 1 Binary terror and the body made explicit; RE-VAMPING THE GHOSTS OF MODERNISM; BESIDE HERSELF: POSTMODERN ARTISTS AND MODERN WHORES; EYE/BODY: CAROLEE SCHNEEMANN BESIDE HERSELF; 2 Logic of the twister, eye of the storm; IMPASSE: UNNATURAL ACTS; TWISTER: LOOKING INTO LOOKING OUT; 3 Permission to see; GENDER IN PERSPECTIVE: HAVE WE REALLY GONE BEYOND?; REFUSAL TO VANISH 327 $aGHOSTLY HORRORS: LOOKING AT THE PAST, SEEING THROUGH THE BODY4 The secret's eye; NO ACCIDENT: COMMODITY BODIES; EMBODYING DISEMBODIMENT; RADICAL SEX ACTIVISM, SATIABILITY, AND THE COMMODITY; TWO-WAY STREETWALKERS; EXPLOSIVE LITERALITY; LITERAL SHROUDS AND DREAMSCAPE RE-INTERMENTS; 5 After us the savage goddess; SEEING BACK THROUGH; PRIMITIVE TECHNIQUES; DARK CONTINENCE: READING THE THRALL AND THE THREAT; DARK INCONTINENCE: UBU ROJ AND SAVAGE PRIMITMSM; DADA'S BIG DRUM: PRIMITIVISM AND THE PERFORMATIVE; HARD PRIMITMSM, BASE MATTER, AND THE BLIND SPOT; LITERAL PRIMITIVES; 6 Seeing the big show 327 $aFIRST, A STORY ABOUT DOUBT THAT INCLUDES AREVE RBERATIONWHITE NOSTALGIA, AUTHENTICITY, AND THE SPLIT SUBJECT; SPIDER WOMAN: THE EARLY DAYS; VIGILANT REPETITIONS, THE COMIC TURN, AND COUNTER-MIMICRY; THE IRRUPTION OF ""REAL STUFF"" AND THE POLITIC OF SACRALITY; THE IRRUPTION OF GRANDMOTHERS AND THE REALITY OF DREAMS; Epilog: returning from the dead; Notes; Works Cited; Index 330 $aThe Explicit Body in Performance interrogates the avant-garde precedents and theoretical terrain that combined to produce feminist performance art. Among the many artists discussed are: * Carolle Schneemann * Annie Sprinkle * Karen Finley * Robbie McCauley * Ana Mendieta * Ann Magnuson * Sandra Bernhard * Spiderwoman Rebecca Schneider tackles topics ranging across the 'post-porn modernist movement', New Right censorship, commodity fetishism, perspectival vision, and primitivism. Employing diverse critical theories from Benjamin to Lacan to postcolon 606 $aFeminism and the arts 606 $aWomen in art 606 $aPerformance art 606 $aArts, Modern$y20th century 606 $aWomen artists$xPsychology 615 0$aFeminism and the arts. 615 0$aWomen in art. 615 0$aPerformance art. 615 0$aArts, Modern 615 0$aWomen artists$xPsychology. 676 $a704.9428 700 $aSchneider$b Rebecca.$0683196 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828969803321 996 $aExplicit body in performance$91262917 997 $aUNINA