LEADER 02501nam 2200601 a 450 001 9910828687703321 005 20230422031650.0 010 $a1-283-19371-X 010 $a9786613193711 010 $a0-567-15198-0 035 $a(CKB)2670000000106734 035 $a(EBL)742743 035 $a(OCoLC)741691717 035 $a(SSID)ssj0000520985 035 $a(PQKBManifestationID)12186539 035 $a(PQKBTitleCode)TC0000520985 035 $a(PQKBWorkID)10517592 035 $a(PQKB)11530181 035 $a(MiAaPQ)EBC742743 035 $a(Au-PeEL)EBL742743 035 $a(CaPaEBR)ebr10490305 035 $a(CaONFJC)MIL319371 035 $a(OCoLC)893335665 035 $a(EXLCZ)992670000000106734 100 $a19991216d2000 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aArt, power and modernity$b[electronic resource] $eEnglish art institutions, 1750-1950 /$fGordon Fyfe 210 $aLondon ;$aNew York $cLeicester University Press$d2000 215 $a1 online resource (223 p.) 225 1 $aContemporary issues in museum culture 300 $aDescription based upon print version of record. 311 $a0-7185-0111-X 320 $aIncludes bibliographical references (p. [183]-198) and index. 327 $aCONTENTS; Plates; Figures; Preface and acknowledgements; Bibliography; Index 330 $aHwo did the rise of metropolitan art institutions influence modernism and the modernisation of art in England? This volume explores the artist as creator, notions of class and taste, and the power of institutions to affect creativity and artistic expression. Topics discussed include the radicalism of engravers and how their claim to be artists is an important and negkected aspect of the nineteenth-century art world; and how the aesthetic dispute over the Chantrey Bequest epitomized conflicts of taste, cultural independence, and interdependence between opposed art institutions and the Treasury. 410 0$aContemporary issues in museum culture. 606 $aArt and society$zEngland$zLondon$xHistory 606 $aArt, English$zEngland$zLondon 615 0$aArt and society$xHistory. 615 0$aArt, English 676 $a306.4/7/0942 700 $aFyfe$b Gordon$0144420 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828687703321 996 $aArt, power and modernity$93976281 997 $aUNINA