LEADER 04057nam 22007814a 450 001 9910828678003321 005 20200520144314.0 010 $a1-107-11506-X 010 $a0-511-15317-1 010 $a0-511-32777-3 010 $a0-511-17389-X 010 $a0-511-48183-7 010 $a0-521-62380-4 010 $a1-280-41894-X 010 $a0-511-05067-4 035 $a(CKB)111056485624648 035 $a(EBL)201743 035 $a(OCoLC)51283885 035 $a(SSID)ssj0000142426 035 $a(PQKBManifestationID)11911862 035 $a(PQKBTitleCode)TC0000142426 035 $a(PQKBWorkID)10096739 035 $a(PQKB)11012634 035 $a(UkCbUP)CR9780511481833 035 $a(MiAaPQ)EBC201743 035 $a(Au-PeEL)EBL201743 035 $a(CaPaEBR)ebr5006352 035 $a(CaONFJC)MIL41894 035 $a(EXLCZ)99111056485624648 100 $a20001106d2001 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe early violin and viola $ea practical guide /$fRobin Stowell 205 $a1st ed. 210 $aCambridge ;$aNew York $cCambridge University Press$d2001 215 $a1 online resource (xv, 234 pages) $cdigital, PDF file(s) 225 1 $aCambridge handbooks to the historical performance of music 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-62555-6 311 $a0-511-01915-7 320 $aIncludes bibliographical references (p. 213-223) and index. 327 $aHistorical performance in context -- The repertory and principal sources -- Equipment -- Technique -- The language of musical style -- Historical awareness in practice 1, three eighteenth-century case studies: Corelli, Bach and Haydn -- Historical awareness in practice 2, three nineteenth-century case studies: Beethoven, Mendelssohn and Brahms -- Related family members. 330 $aThis practical guide is intended for all violinists and viola players who wish to give - or to understand and appreciate - historically aware performances of early music for their instruments. It comprises discussion of the literature, history and repertory of the violin and viola, the myriad relevant primary sources and their interpretation, and the various aspects of style and technique that combine to make up well-grounded, period performances. It also considers various related family instruments, contains practical advice on the acquisition of appropriate instruments, and offers suggestions for further reading and investigation. Many of the principles outlined are put into practice in case studies of six works composed c.1700-c.1900, the core period which forms this series' principal (though not exclusive) focus. Music by Corelli, Bach, Haydn, Beethoven, Mendelssohn and Brahms is examined with a view to recreating performances as faithful as possible to the composer's original intention. 410 0$aCambridge handbooks to the historical performance of music. 606 $aViolin$xPerformance 606 $aViola$xPerformance 606 $aInstrumental music$y18th century$xInterpretation (Phrasing, dynamics, etc.) 606 $aInstrumental music$y19th century$xInterpretation (Phrasing, dynamics, etc.) 606 $aPerformance practice (Music)$xHistory$y18th century 606 $aPerformance practice (Music)$xHistory$y19th century 615 0$aViolin$xPerformance. 615 0$aViola$xPerformance. 615 0$aInstrumental music$xInterpretation (Phrasing, dynamics, etc.) 615 0$aInstrumental music$xInterpretation (Phrasing, dynamics, etc.) 615 0$aPerformance practice (Music)$xHistory 615 0$aPerformance practice (Music)$xHistory 676 $a787.2/143/09033 700 $aStowell$b Robin$0736022 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828678003321 996 $aThe early violin and viola$94120587 997 $aUNINA