LEADER 03343nam 2200589 a 450 001 9910828667603321 005 20220512201642.0 010 $a1-4696-0023-4 010 $a0-8078-3735-0 035 $a(CKB)2670000000315414 035 $a(EBL)1107593 035 $a(OCoLC)822227299 035 $a(SSID)ssj0000784435 035 $a(PQKBManifestationID)11503806 035 $a(PQKBTitleCode)TC0000784435 035 $a(PQKBWorkID)10763329 035 $a(PQKB)10766916 035 $a(StDuBDS)EDZ0000243976 035 $a(MdBmJHUP)muse23409 035 $a(Au-PeEL)EBL1107593 035 $a(CaPaEBR)ebr10639524 035 $a(CaONFJC)MIL930827 035 $a(OCoLC)825768308 035 $a(MiAaPQ)EBC1107593 035 $a(EXLCZ)992670000000315414 100 $a20120621d2012 ub 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aThomas Nast $ethe father of modern political cartoons /$fFiona Deans Halloran 205 $a1 [ed.]. 210 $aChapel Hill, N.C. $cUniversity of North Carolina Press$d2012 215 $a1 online resource (xi, 366 pages) 300 $aDescription based upon print version of record. 320 $aIncludes bibliographical references and index. 327 $aFrom Five Points to Frank Leslie's Illustrated News -- Early Work and Training -- Travel to Europe and Sallie -- Compromise with the South -- Falling in Love with Grant -- Tweed -- The Campaign of 1872 -- Redpath and Wealth -- Access and Authority -- Conflict with Curtis -- The End of an Era -- Nast's Weekly and Guayaquil -- Legacy. 330 $a"Thomas Nast (1840-1902), the founding father of American political cartooning, is perhaps best known for his cartoons portraying political parties as the Democratic donkey and the Republican elephant. Nast's legacy also includes a trove of other political cartoons, his successful attack on the machine politics of Tammany Hall in 1871, and his wildly popular illustrations of Santa Claus for Harper's Weekly magazine. Throughout his career, his drawings provided a pointed critique that forced readers to confront the contradictions around them. In this thoroughgoing and lively biography, Fiona Deans Halloran focuses not just on Nast's political cartoons for Harper's but also on his place within the complexities of Gilded Age politics and highlights the many contradictions in his own life: he was an immigrant who attacked immigrant communities, a supporter of civil rights who portrayed black men as foolish children in need of guidance, and an enemy of corruption and hypocrisy who idolized Ulysses S. Grant. He was a man with powerful friends, including Mark Twain, and powerful enemies, including William M. "Boss" Tweed. Halloran interprets Nast's work, explores his motivations and ideals, and illuminates Nast's lasting legacy on American political culture. "--$cProvided by publisher. 606 $aCartoonists$zUnited States$vBiography 615 0$aCartoonists 676 $a741.5/6973 676 $aB 676 $a741.56973 700 $aHalloran$b Fiona Deans$01719542 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828667603321 996 $aThomas Nast$94117462 997 $aUNINA