LEADER 03575 am 2200829 n 450 001 9910580238203321 005 20220701 010 $a88-5526-706-X 024 7 $a10.4000/books.ledizioni.14004 035 $a(CKB)4100000011792701 035 $a(FrMaCLE)OB-ledizioni-14004 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/91874 035 $a(PPN)264713060 035 $a(EXLCZ)994100000011792701 100 $a20220704j|||||||| ||| 0 101 0 $aita 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aI colori del racconto /$fLuca Sacchi, Cristina Zampese 210 $aMilano $cLedizioni$d2022 215 $a1 online resource (266 p.) 225 1 $aBiblioteca di Carte Romanze 311 $a88-5526-338-2 330 $aLo spettro semantico del termine colore copre una vasta estensione, dalle accezioni propriamente materiche a quelle traslate. I saggi contenuti nel presente volume, che abbracciano sei secoli e tre distinti ambiti linguistico-letterari, ci offrono un ampio repertorio della varietà delle sue applicazioni nel campo del racconto, dal Medioevo all?Età Moderna. La maggior parte di essi indaga le modalità attraverso le quali i colori stessi, intesi in senso proprio, sono portatori di significato in ambito narrativo, sia sul piano materiale sia su quello simbolico: in ciò incrociando, evidentemente, l?orizzonte retorico. Alcuni contributi si concentrano invece specificamente su quest?ultimo aspetto della scrittura; nell?arte del racconto, infatti, il sapiente dosaggio dei colores rhetorici determina l?efficacia narrativa, tanto nella componente descrittiva quanto in quella dialogica. 606 $aHistory 606 $aLiterature (General) 606 $aspectre sémantique du terme couleur 606 $aMoyen Âge 606 $aÉpoque moderne 606 $asens des couleurs dans le champ narratif 606 $acolores rhetorici 606 $aspettro semantico del termine colore 606 $aMedioevo 606 $aEtà Moderna 606 $asignificato dei colori in ambito narrativ 610 $aspettro semantico del termine colore 610 $aMedioevo 610 $aEtà Moderna 610 $asignificato dei colori in ambito narrativ 610 $acolores rhetorici 615 4$aHistory 615 4$aLiterature (General) 615 4$aspectre sémantique du terme couleur 615 4$aMoyen Âge 615 4$aÉpoque moderne 615 4$asens des couleurs dans le champ narratif 615 4$acolores rhetorici 615 4$aspettro semantico del termine colore 615 4$aMedioevo 615 4$aEtà Moderna 615 4$asignificato dei colori in ambito narrativ 700 $aBarbiellini Amidei$b Beatrice$01301144 701 $aBragantini$b Renzo$0158154 701 $aCabrini$b Anna Maria$0154323 701 $aCarapezza$b Sandra$01301145 701 $aCazalé Bérard$b Claude$01301146 701 $aColombo Timelli$b Maria$01301147 701 $aCrosio$b Martina$01301148 701 $aD?Agostino$b Alfonso$0319615 701 $aHernán-Gómez Prieto$b Beatriz$01301149 701 $aRosso$b Maria$01301150 701 $aSacchi$b Luca$0762849 701 $aZampese$b Cristina$0221287 701 $aSacchi$b Luca$0762849 701 $aZampese$b Cristina$0221287 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910580238203321 996 $aI colori del racconto$93025731 997 $aUNINA LEADER 04287nam 2200601Ia 450 001 9910777614803321 005 20230422045240.0 010 $a1-280-53003-0 010 $a9786610530038 010 $a0-19-802858-X 010 $a1-4294-0379-9 035 $a(CKB)1000000000465723 035 $a(StDuBDS)AH24085251 035 $a(SSID)ssj0000105902 035 $a(PQKBManifestationID)12026188 035 $a(PQKBTitleCode)TC0000105902 035 $a(PQKBWorkID)10102214 035 $a(PQKB)10451560 035 $a(MiAaPQ)EBC3052386 035 $a(Au-PeEL)EBL3052386 035 $a(CaPaEBR)ebr10212171 035 $a(CaONFJC)MIL53003 035 $a(OCoLC)71801589 035 $a(EXLCZ)991000000000465723 100 $a19990222d2000 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe art of performance$b[electronic resource] /$fHeinrich Schenker ; edited by Heribert Esser ; translated by Irene Schreier Scott 210 $aNew York $cOxford University Press$d2000 215 $a1 online resource (xxvii, 101 p. ) $cfacsims., music 300 $aAn unfinished work edited from the author's papers in the New York Public Library and the University of California at Riverside. 311 $a0-19-512254-2 320 $aIncludes bibliographical references and index. 327 $aMusical Composition and Performance; Mode of Notation and Performance; The Technique of Playing the Piano; Non Legato; Legato; Staccato; Fingering; Dynamics; Tempo and Tempo Modifications; Rests; The Performance of Older Music; On Practicing. 330 $aSchenker was one of the most influential music theorists of the 20th century. In this essay, he turns his attention to the performer's role, arguing that the cult of the virtuoso has led to an overemphasis on technical display. 330 $bHeinrich Schenker's The Art of Performance shows this great music theorist in a new light. While his theoretical writings helped transform music theory in the twentieth century, this book draws on his experience as a musician and teacher to propose a sharp reevaluation of how musical compositions are realized in performance. Filled with concrete examples and numerous suggestions, the book will interest both music theorists and practicing performers. Schenker's approach is based on his argument that much of contemporary performance practice is rooted in the nineteenth-century cult of the virtuoso, which has resulted in an overemphasis on technical display. To counter this, he proposes specific ways to reconnect the composer's intentions and the musician's performance. Schenker begins by showing how performers can benefit from understanding the laws of composition. He demonstrates how a literal interpretation of the composer's indications can be self-defeating, and he provides a lively discussion of piano technique, including suggestions for pedal, sound color, orchestral effects, and balance. He devotes separate chapters to non-legato, legato, fingering, dynamics, tempo, and rests. In addition to the examples for pianists, Schenker covers a number of topics, such as bowing technique, that will prove invaluable for other instrumentalists and for conductors. The book concludes with an aphoristic and sometimes lyrical chapter on practicing. After Schenker's death, his student Oswald Jonas prepared the text for publication from Schenker's notes, eventually leaving the manuscript to his stepdaughter, Irene Schreier Scott, who entrusted the work of organizing and editing the disparate material to Jonas's friend and student Heribert Esser. She later translated it into English. This edition is the first publication in any language of this remarkable work. 606 $aPiano music$xInterpretation (Phrasing, dynamics, etc.) 606 $aPiano$xPerformance 615 0$aPiano music$xInterpretation (Phrasing, dynamics, etc.) 615 0$aPiano$xPerformance. 676 $a786.2/193 700 $aSchenker$b Heinrich$f1868-1935.$0859241 701 $aEsser$b Heribert$01572808 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910777614803321 996 $aThe art of performance$93848072 997 $aUNINA LEADER 02433nam 2200577 450 001 9910828656803321 005 20170816143323.0 010 $a1-4704-0425-7 035 $a(CKB)3360000000465008 035 $a(EBL)3114111 035 $a(SSID)ssj0000973413 035 $a(PQKBManifestationID)11602800 035 $a(PQKBTitleCode)TC0000973413 035 $a(PQKBWorkID)10959980 035 $a(PQKB)11615649 035 $a(MiAaPQ)EBC3114111 035 $a(RPAM)13763463 035 $a(PPN)195417127 035 $a(EXLCZ)993360000000465008 100 $a20041027h20052005 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOn dynamical Poisson groupoids I /$fLuen-Chau Li, Serge Parmentier 210 1$aProvidence, Rhode Island :$cAmerican Mathematical Society,$d[2005] 210 4$d©2005 215 $a1 online resource (86 p.) 225 1 $aMemoirs of the American Mathematical Society,$x0065-9266 ;$vnumber 824 300 $a"Volume 174, number 824 (end of 4 numbers)." 311 $a0-8218-3673-0 320 $aIncludes bibliographical references (pages 71-72). 327 $a""Contents""; ""Chapter 1. Introduction""; ""Chapter 2. A class of biequivariant Poisson groupoids""; ""2.1. Preliminaries""; ""2.2. Trivial Lie groupoids in C[sub(U)]""; ""Chapter 3. Duality""; ""3.1. Duality of Poisson groupoids""; ""3.2. The dual of a dynamical Poisson groupoid""; ""Chapter 4. An explicit case study of duality""; ""Chapter 5. Coboundary dynamical Poisson groupoids - the constant r-matrix case""; ""5.1. The dual Poisson groupoid""; ""5.2. Construction of the associated symplectic double groupoid""; ""Appendix""; ""A.1. Proof of Proposition 2.2.3"" 327 $a""A.2. Proof of Theorem 2.2.5 (b)""""A.3. Proof of Proposition 3.2.1""; ""A.4. Proof of the coisotropy in Theorem 5.1.4""; ""Bibliography"" 410 0$aMemoirs of the American Mathematical Society ;$vno. 824. 606 $aPoisson manifolds 606 $aPseudogroups 615 0$aPoisson manifolds. 615 0$aPseudogroups. 676 $a510 s 676 $a512/.2 700 $aLi$b Luen-Chau$f1954-$01637167 702 $aParmentier$b Serge$f1961- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828656803321 996 $aOn dynamical Poisson groupoids I$93978845 997 $aUNINA LEADER 03406nam 2200625 450 001 9910814922603321 005 20210716183958.0 010 $a0-231-13715-X 010 $a0-231-51031-4 024 7 $a10.7312/kowa13714 035 $a(CKB)1000000000460332 035 $a(SSID)ssj0000115079 035 $a(PQKBManifestationID)12026580 035 $a(PQKBTitleCode)TC0000115079 035 $a(PQKBWorkID)10007418 035 $a(PQKB)11163615 035 $a(MiAaPQ)EBC908411 035 $a(DE-B1597)459021 035 $a(OCoLC)979909838 035 $a(DE-B1597)9780231510318 035 $a(Au-PeEL)EBL908411 035 $a(CaPaEBR)ebr11092212 035 $a(OCoLC)64396449 035 $a(EXLCZ)991000000000460332 100 $a20150907h20062006 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe British slave trade and public memory /$fElizabeth Kowaleski Wallace 210 1$aNew York :$cColumbia University Press,$d2006. 210 4$d©2006 215 $a1 online resource (263 pages) $cillustrations 300 $aIncludes index. 311 $a0-231-13714-1 327 $tFrontmatter --$tContents --$tList of Illustrations --$tPreface --$tIntroduction. Millennial Reckonings --$t1. Commemorating the Transatlantic Slave Trade in Liverpool and Bristol --$t2. Fictionalizing Slavery in the United Kingdom, 1990-2000 --$t3. Seeing Slavery and the Slave Trade --$t4. Transnationalism and Performance in 'Biyi Bandele's Oroonoko --$tConclusion --$tNotes --$tIndex 330 $aHow does a contemporary society restore to its public memory a momentous event like its own participation in transatlantic slavery? What are the stakes of once more restoring the slave trade to public memory? What can be learned from this history? Elizabeth Kowaleski Wallace explores these questions in her study of depictions and remembrances of British involvement in the slave trade. Skillfully incorporating a range of material, Wallace discusses and analyzes how museum exhibits, novels, television shows, movies, and a play created and produced in Britain from 1990 to 2000 grappled with the subject of slavery. Topics discussed include a walking tour in the former slave-trading port of Bristol; novels by Caryl Phillips and Barry Unsworth; a television adaptation of Jane Austen's Mansfield Park; and a revival of Aphra Behn's Oroonoko for the Royal Shakespeare Company. In each case, Wallace reveals how these works and performances illuminate and obscure the history of the slave trade and its legacy. While Wallace focuses on Britain, her work also speaks to questions of how the United States and other nations remember inglorious chapters from their past. 606 $aSlave trade$zGreat Britain$xHistory$xPublic opinion 606 $aPublic opinion$zGreat Britain 606 $aSlave trade in literature 606 $aSlavery in literature 615 0$aSlave trade$xHistory$xPublic opinion. 615 0$aPublic opinion 615 0$aSlave trade in literature. 615 0$aSlavery in literature. 676 $a306.3620941 700 $aKowaleski-Wallace$b Elizabeth$f1954-$01683620 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814922603321 996 $aThe British slave trade and public memory$94054511 997 $aUNINA