LEADER 03896nam 2200829 a 450 001 9910828588703321 005 20200520144314.0 010 $a1-107-11600-7 010 $a0-521-03466-3 010 $a1-280-16191-4 010 $a0-511-11719-1 010 $a0-511-14969-7 010 $a0-511-30980-5 010 $a0-511-48367-8 010 $a0-511-05135-2 035 $a(CKB)111004366730674 035 $a(EBL)142401 035 $a(OCoLC)50648743 035 $a(SSID)ssj0000257797 035 $a(PQKBManifestationID)11203714 035 $a(PQKBTitleCode)TC0000257797 035 $a(PQKBWorkID)10253776 035 $a(PQKB)10372849 035 $a(UkCbUP)CR9780511483677 035 $a(MiAaPQ)EBC142401 035 $a(Au-PeEL)EBL142401 035 $a(CaPaEBR)ebr2000797 035 $a(CaONFJC)MIL16191 035 $a(EXLCZ)99111004366730674 100 $a19990201d1999 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTheatre, finance, and society in early modern England /$fTheodore B. Leinwand 205 $a1st ed. 210 $aCambridge $cCambridge University Press$d1999 215 $a1 online resource (xii, 199 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in Renaissance literature and culture ;$v31 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-511-00389-7 311 $a0-521-64031-8 320 $aIncludes bibliographical references and index. 327 $aIntroduction: affective economies -- 1. Credit crunch -- 2. Debt restructuring -- 3. Mortgate payments -- 4. Venture capital. 330 $aThis interesting study examines emotional responses to socio-economic pressures in early modern England, as they are revealed in plays, historical narratives and biographical accounts of the period. These texts yield fascinating insights into the various, often unpredictable, ways in which people coped with the exigencies of credit, debt, mortgaging and capital ventures. Plays discussed include Shakespeare's The Merchant of Venice and Timon of Athens, Jonson's The Alchemist and Massinger's A New Way to Pay Old Debts. They are paired with writings by and about the finances of the corrupt Earl of Suffolk, the privateer Walter Raleigh, the royal agent Thomas Gresham, theatre entrepreneur James Burbage, and the Lord Treasurer Lionel Cranfield. Leinwand's new readings of these texts reveal a blend of affect and cognition concerning finance that includes nostalgia, anger, contempt, embarrassment, tenacity, bravado and humility. 410 0$aCambridge studies in Renaissance literature and culture ;$v31. 606 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism 606 $aEconomics in literature 606 $aLiterature and society$zEngland$xHistory$y16th century 606 $aLiterature and society$zEngland$xHistory$y17th century 606 $aEnglish drama$y17th century$xHistory and criticism 606 $aFinance$zEngland$xHistory$y16th century$vSources 606 $aFinance$zEngland$xHistory$y17th century$vSources 606 $aFinance in literature 615 0$aEnglish drama$xHistory and criticism. 615 0$aEconomics in literature. 615 0$aLiterature and society$xHistory 615 0$aLiterature and society$xHistory 615 0$aEnglish drama$xHistory and criticism. 615 0$aFinance$xHistory 615 0$aFinance$xHistory 615 0$aFinance in literature. 676 $a820.9/355 700 $aLeinwand$b Theodore B$01629999 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828588703321 996 $aTheatre, finance, and society in early modern England$93968056 997 $aUNINA