LEADER 04500nam 22006854a 450 001 9910828578003321 005 20240416133950.0 010 $a1-283-39675-0 010 $a9786613396754 010 $a3-11-916273-6 010 $a3-11-020194-1 024 7 $a10.1515/9783110201949 035 $a(CKB)1000000000479963 035 $a(EBL)322931 035 $a(OCoLC)476120302 035 $a(SSID)ssj0000268616 035 $a(PQKBManifestationID)11218184 035 $a(PQKBTitleCode)TC0000268616 035 $a(PQKBWorkID)10242312 035 $a(PQKB)11340931 035 $a(MiAaPQ)EBC322931 035 $a(DE-B1597)32951 035 $a(OCoLC)816881185 035 $a(OCoLC)853267608 035 $a(DE-B1597)9783110201949 035 $a(Au-PeEL)EBL322931 035 $a(CaPaEBR)ebr10197196 035 $a(CaONFJC)MIL339675 035 $a(OCoLC)290490957 035 $a(EXLCZ)991000000000479963 100 $a20060524d2006 uy 0 101 0 $aeng 135 $aurun#---|u||u 181 $ctxt 182 $cc 183 $acr 200 00$aW.G. Sebald $ehistory, memory, trauma /$fedited by Scott Denham, Mark McCulloh 205 $a1st ed. 210 $aBerlin ;$aNew York $cW. de Gruyter$dc2006 215 $a1 online resource (392 p.) 225 1 $aInterdisciplinary German cultural studies,$x1861-8030 ;$vv. 1 300 $aDescription based upon print version of record. 311 0 $a3-11-018274-2 320 $aIncludes bibliographical references (p. [367]-382). 327 $tFront matter --$tTable of Contents --$tForeword: The Sebald Phenomenon --$tIntroduction: Two Languages, Two Audiences: The Tandem Literary OEuvres of W.G. Sebald --$tIntroduction and Transcript of an interview given by Max Sebald --$tSection 1: Contexts & Influences --$tKafka, Nabokov ... Sebald: Intertextuality and Narratives of Redemption in Vertigo and The Emigrants --$tSebald's Pathographies --$tSebald's Elective and Other Affinities --$tIn the Weavers' Web: An Intertextual Approach to W.G. Sebald and Laurence Sterne --$tSebald's Kafka --$tSebald's Amateurs --$tSection 2: Narrative and Style --$t"A Time He Could Not Bear to Say Any More About": Presence and Absence of the Narrator in W.G. Sebald's The Emigrants --$tThe Task of the Narrator: Moments of Symbolic Investiture in W.G. Sebald's Austerlitz --$t"Egg boxes stacked in a crate": Narrative Status and its Implications --$tSpeak no Evil, Write no Evil: In Search of a Usable Language of Destruction --$tOn Exposure: Photography and Uncanny Memory in W.G. Sebald's Die Ausgewanderten and Austerlitz --$tRealism, Photography, and Degrees of Uncertainty --$tSection 3: History and Trauma --$tThe Dystopian Entwinement of Histories and Identities in W.G. Sebald's Austerlitz --$tTranscripts: An Ethics of Representation in The Emigrants --$tLandscape and Memory: Sebald's Redemption of History --$tThe Holocaust as the Still Point of the World in W.G. Sebald's The Emigrants --$tW.G. Sebald's Twentieth-Century Histories --$tGoing Astray: Melancholy, Natural History, and the Image of Exile in W.G. Sebald's Austerlitz --$tNo Foothold. Institutions and Buildings in W.G. Sebald's Prose --$tThe Experience of Destruction: W.G. Sebald, the Airwar, and Literature --$tW.G. Sebald and Structures of Testimony and Trauma: There are Spots of Mist That No Eye can Dispel --$tBack matter 330 $aThe novelist, poet, and essayist W. G. Sebald (1944 - 2001) was perhaps the most original German writer of the last decade of the 20th century ("Die Ausgewanderten", "Austerlitz", "Luftkrieg und Literatur"). His writing is marked by a unique 'hybridity' that combines characteristics of travelogue, cultural criticism, crime story, historical essay, and dream diary, among other genres. He employs layers of literary and motion picture allusions that contribute to a sometimes enigmatic, sometimes intimately familiar mood; his dominant mode is melancholy. The contributions of this anthology examine 410 0$aInterdisciplinary German cultural studies ;$vv. 1. 606 $aLITERARY CRITICISM / European / German$2bisacsh 615 7$aLITERARY CRITICISM / European / German. 676 $a833/.914 676 $a833.914 701 $aDenham$b Scott D$01667517 701 $aMcCulloh$b Mark Richard$f1955-$01667518 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828578003321 996 $aW.G. Sebald$94027412 997 $aUNINA