LEADER 04658nam 22006374a 450 001 9910828564503321 005 20200520144314.0 010 $a0-19-151388-1 010 $a1-4294-7046-1 035 $a(CKB)2560000000298329 035 $a(EBL)422627 035 $a(OCoLC)437109030 035 $a(SSID)ssj0000172630 035 $a(PQKBManifestationID)11155672 035 $a(PQKBTitleCode)TC0000172630 035 $a(PQKBWorkID)10162439 035 $a(PQKB)10185459 035 $a(StDuBDS)EDZ0000072450 035 $a(MiAaPQ)EBC422627 035 $a(Au-PeEL)EBL422627 035 $a(CaPaEBR)ebr10271378 035 $a(EXLCZ)992560000000298329 100 $a20051219d2006 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHolographic visions $ea history of new science /$fSean F. Johnston 205 $a1st ed. 210 $aOxford ;$aNew York $cOxford University Press$d2006 215 $a1 online resource (541 p.) 225 1 $aH.Spencer Lecture 300 $aDescription based upon print version of record. 311 $a0-19-857122-4 311 $a0-19-171890-4 320 $aIncludes bibliographical references (p. [447]-487) and index. 327 $aContents; List of Figures; Acronyms; 1. Introduction: Seeking Coherence; PART I: CREATING A SUBJECT; 2. Wavefront Reconstruction in England and Beyond; 2.1 Introduction; 2.2 Holoscopy; 2.3 'A new microscopic principle'; 2.4 Microscopy by reconstructed wavefronts; 2.5 The Diffraction Microscope at Imperial College; 2.6 Gordon Rogers and 'D.M.'; 2.7 The Californian connection; 2.8 Adolf Lohmann in Germany; 2.9 The decline of diffraction microscopy; 3. Wave Photography in the Soviet Union; 3.1 The Vavilov State Optical Institute and the backdrop of Soviet science 327 $a3.2 Yuri Denisyuk and his Kandidat research 3.3 Wave photographs; 3.4 Pause and reception; 4. Lensless Photography in America; 4.1 The Willow Run Laboratories and optical processing; 4.2 From optical processing to wavefront reconstruction; 4.3 Lensless photography; 4.4 Three-dimensional wavefront reconstruction; 5. Constructing Holography; 5.1 Introduction; 5.2 George Stroke and the packaging of holography; 5.3 The Nobel Prize and historiographical validation; 5.4 Patents, priority, and profits; 5.5 Finding coherence; PART II: CREATING A MEDIUM; 6. Early Exploitation 327 $a7.11 The medium and its message PART III: CREATING AN IDENTITY; 8. Defining the Scientific Holographer; 8.1 Reshaping optical engineering for holographers; 8.2 Carving a niche with journals; 8.3 Meetings as social nuclei; 8.4 Defining the holographer; 9. Culture and Counterculture: The Artisan Holographer; 9.1 Introduction; 9.2 Challenging the orthodox optical laboratory: material culture and community identity; 9.3 Training artisans: the birth of schools; 9.4 Transmitting the counterculture: practical publications; 9.5 Shaping and reshaping an identity 327 $a10. Aesthetic Holographers and Their Art 10.1 Introduction; 10.2 Artist-scientist collaborations; 10.3 Artists and artisans; 10.4 Formalizing the art: accredited schools; 10.5 Distinguishing subcultures; 10.6 Enchanting audiences through exhibitions; 10.7 Critiques from mainstream art; 11. Building Holographic Communities; 11.1 Uncertain identities; 11.2 Strengthening networks; 11.3 Special congregations: symposia; 11.4 Special places: museums; PART IV: CREATING A MARKET; 12. Commercialization and Ubiquity; 12.1 Making holography pay; 12.2 Entrepreneurs and cottage industry 327 $a12.3 Optimistic investment: the Ilford story 330 $aThis is a unique history of how the new science of holography developed intellectually, socially and culturally. Based on unprecedented interviews with pioneer holographers and archival research, it shows how this far-reaching subject is a potent example of how science, technology, art and wider culture are entwined in the modern world. - ;Holography exploded on the scientific world in 1964, but its slow fuse had been burning much longer. Over the next four decades, the echoes of that explosion reached scientists, engineers, artists and popular culture. Emerging from classified military research 410 0$aH.Spencer Lecture 606 $aHolography$xHistory 615 0$aHolography$xHistory. 676 $a621.36/75 686 $a33.38$2bcl 700 $aJohnston$b Sean$f1956-$01654420 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828564503321 996 $aHolographic visions$94006245 997 $aUNINA