LEADER 03453nam  22007454a 450 
001 9910828557403321
005 20200520144314.0
010   $a0-511-09588-0
010   $a1-107-13635-0
010   $a1-280-43080-X
010   $a0-511-17928-6
010   $a1-139-14888-5
010   $a0-511-06178-1
010   $a0-511-05545-5
010   $a0-511-30631-8
010   $a0-511-48136-5
010   $a0-511-07024-1
024 7 $a2027/heb07689
035   $a(CKB)1000000000018151
035   $a(EBL)218087
035   $a(OCoLC)57172268
035   $a(SSID)ssj0000174727
035   $a(PQKBManifestationID)11156040
035   $a(PQKBTitleCode)TC0000174727
035   $a(PQKBWorkID)10176653
035   $a(PQKB)11100179
035   $a(UkCbUP)CR9780511481369
035   $a(Au-PeEL)EBL218087
035   $a(CaPaEBR)ebr10069832
035   $a(CaONFJC)MIL43080
035   $a(MiAaPQ)EBC218087
035   $a(dli)HEB07689
035   $a(MiU)MIU01000000000000007434929
035   $a(EXLCZ)991000000000018151
100   $a20020808d2003      uy         0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aHugo Riemann and the birth of modern musical thought /$fAlexander Rehding
205   $a1st ed.
210   $aCambridge ;$aNew York $cCambridge University Press$d2003
215   $a1 online resource (x, 218 pages) $cdigital, PDF file(s)
225 1 $aNew perspectives in music history and criticism
300   $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311   $a0-521-09636-7 
311   $a0-521-82073-1 
320   $aIncludes bibliographical references (p. 199-211) and index.
327   $aRiemann's moonshine experiment -- The responsibilities of nineteenth-century music theory -- Riemann's musical logic and the 'as if' -- Musical syntax, nationhood and universality -- Beethoven's deafness and tone imaginations.
330   $aGenerally acknowledged as the most important German musicologist of his age, Hugo Riemann (1849-1919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. This influence, however, belies the contentious idea at the heart of his musical thought, an idea he defended for most of his career - harmonic dualism. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. Riemann's musical thought - from his considerations of acoustical properties to his aesthetic and music-historical views - thus regains the coherence and cultural urgency that it once possessed.
410  0$aNew perspectives in music history and criticism.
606   $aMusic theory$xHistory
606   $aMusicology$xHistory
615  0$aMusic theory$xHistory.
615  0$aMusicology$xHistory.
676   $a780/.92
700   $aRehding$b Alexander$01016638
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910828557403321
996   $aHugo Riemann and the birth of modern musical thought$92379534
997   $aUNINA