LEADER 01829nam 2200541 a 450 001 9910828550703321 005 20200520144314.0 010 $a0-268-09660-0 035 $a(CKB)2560000000052359 035 $a(OCoLC)694144467 035 $a(CaPaEBR)ebrary10423307 035 $a(SSID)ssj0000485097 035 $a(PQKBManifestationID)11335484 035 $a(PQKBTitleCode)TC0000485097 035 $a(PQKBWorkID)10602751 035 $a(PQKB)11034527 035 $a(MiAaPQ)EBC3440982 035 $a(MdBmJHUP)muse25623 035 $a(Au-PeEL)EBL3440982 035 $a(CaPaEBR)ebr10423307 035 $a(EXLCZ)992560000000052359 100 $a20070514d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIconic spaces $ethe dark theology of Samuel Beckett's drama /$fSandra Wynands 205 $a1st ed. 210 $aNotre Dame, Ind. $cUniversity of Notre Dame Press$dc2007 215 $a1 online resource (241 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-268-04410-4 320 $aIncludes bibliographical references (p. 203-214) and index. 327 $aIntroduction -- Visuality and iconicity in Samuel Beckett's Catastrophe -- "Three dialogues" and the economy of art -- Metaphor and metonymy in Not I -- The empty space of Quad -- The reduction of Film -- Conclusion. 606 $aTheology in literature 606 $aSpiritual life in literature 615 0$aTheology in literature. 615 0$aSpiritual life in literature. 676 $a848/.91409 700 $aWynands$b Sandra$f1970-$01652618 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828550703321 996 $aIconic spaces$94003389 997 $aUNINA