LEADER 04074nam 2200721 450 001 9910828530803321 005 20170919044045.0 010 $a1-78238-997-0 024 7 $a10.1515/9781782389972 035 $a(CKB)3710000000577232 035 $a(EBL)4045081 035 $a(SSID)ssj0001673699 035 $a(PQKBManifestationID)16472490 035 $a(PQKBTitleCode)TC0001673699 035 $a(PQKBWorkID)12934592 035 $a(PQKB)10444512 035 $a(SSID)ssj0001625444 035 $a(PQKBManifestationID)16359654 035 $a(PQKBTitleCode)TC0001625444 035 $a(PQKBWorkID)14930193 035 $a(PQKB)11654915 035 $a(MiAaPQ)EBC4045081 035 $a(DE-B1597)637107 035 $a(DE-B1597)9781782389972 035 $a(EXLCZ)993710000000577232 100 $a20160205h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCinema in service of the state $eperspectives on film culture in the GDR and Czechoslovakia, 1945-1960 /$fedited by Lars Karl and Pavel Skopal 210 1$aNew York, New York ;$aOxford, [England] :$cBerghahn,$d2015. 210 4$dİ2015 215 $a1 online resource (406 p.) 225 1 $aFilm Europa : German Cinema in an International Context 300 $aDescription based upon print version of record. 311 $a1-78533-738-6 311 $a1-78238-996-2 320 $aIncludes bibliographical references at the end of each chapters, filmography and index. 327 $aTitle Page; Table of Contents; Acknowledgements; List of Figures; List of Abbreviations; Introduction; Part I. Cultural Policy and Cinema; Chapter 1. From Soviet Zone to Volksdemokratie; Chapter 2. Czechoslovak Culture and Cinema, 1945-1960; PART II. Production and Co-production; Chapter 3. 'Veterans' and 'Dilettantes'; Chapter 4. Barrandov's Co-productions; Chapter 5. Co-productions (Un)Wanted; Chapter 6. No TV without Film; PART III. Nonfictional Cinema; Chapter 7. Military Film Studios before 1970; Chapter 8. Socialism for Sale; PART IV. Children's Cinema 327 $aChapter 9. Between Magic and EducationChapter 10. Children's Films; PART V. Film Festivals; Chapter 11. Decreed Open-Mindedness; Chapter 12. National, Socialist, Global; PART VI. Distribution and Reception; Chapter 13. Cinema Cultures of Integration; Chapter 14. A Decade between Resistance and Adaptation; Chapter 15. Screening the Occupier as Liberator; Filmography; Index 330 $aThe national cinemas of Czechoslovakia and East Germany were two of the most vital sites of filmmaking in the Eastern Bloc, and over the course of two decades, they contributed to and were shaped by such significant developments as Sovietization, de-Stalinization, and the conservative retrenchment of the late 1950s. This volume comprehensively explores the postwar film cultures of both nations, using a ?stereoscopic? approach that traces their similarities and divergences to form a richly contextualized portrait. Ranging from features to children?s cinema to film festivals, the studies gathered here provide new insights into the ideological, political, and economic dimensions of Cold War cultural production. 410 0$aFilm Europa. 606 $aMotion pictures$xPolitical aspects$zGermany (East) 606 $aMotion pictures$xPolitical aspects$zCzechoslovakia 606 $aMotion picture industry$zGermany (East)$xHistory$y20th century 606 $aMotion picture industry$zCzechoslovakia$xHistory$y20th century 615 0$aMotion pictures$xPolitical aspects 615 0$aMotion pictures$xPolitical aspects 615 0$aMotion picture industry$xHistory 615 0$aMotion picture industry$xHistory 676 $a791.430943 686 $aAP 47000$qBVB$2rvk 702 $aKarl$b Lars 702 $aSkopal$b Pavel 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828530803321 996 $aCinema in service of the state$93995385 997 $aUNINA