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100   $a20070427d2007      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aSubversive sounds $erace and the birth of jazz in New Orleans /$fCharles Hersch
205   $a1st ed.
210   $aChicago $cUniversity of Chicago Press$dc2007
215   $a1 online resource (304 p.)
300   $aDescription based upon print version of record.
311   $a0-226-32867-8 
320   $aIncludes bibliographical references (p. 247-270), discography (p. 271-273), and index.
327   $aPlaces -- Reaction -- Musicians -- Music -- Dissemination : Morton, La Rocca, and Armstrong.
330   $aSubversive Sounds probes New Orleans's history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form?jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans's complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of m
606   $aJazz$zLouisiana$zNew Orleans$xHistory and criticism
606   $aMusic$xSocial aspects$zLouisiana$zNew Orleans$xHistory
606   $aMusic and race
610   $arace, racial, racism, jazz, music, genre, musician, freestyle, improvisation, new orleans, city, urban, louisiana, southern, history, historical, art, artistic, america, american, united states, usa, oral, police, report, newspaper, vintage, recording, louis armstrong, nick la rocca, jelly roll morton, audience, tradition, ethnic, ethnicity, culture, cultural, jim crow.
615  0$aJazz$xHistory and criticism.
615  0$aMusic$xSocial aspects$xHistory.
615  0$aMusic and race.
676   $a781.65/20976335
700   $aHersch$b Charles$f1956-$0871853
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910828529403321
996   $aSubversive sounds$93995372
997   $aUNINA