LEADER 01528nam 2200385Ia 450 001 996393921903316 005 20200824121814.0 035 $a(CKB)4940000000115160 035 $a(EEBO)2248512337 035 $a(UnM)99897743e 035 $a(UnM)99897743 035 $a(EXLCZ)994940000000115160 100 $a19941108d1682 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe Christians defence against the fears of death$b[electronic resource] $eWith seasonable directions how to prepare our selves to dye well. Written originally in French, by the late reverend divine of the Protestant church of Paris, Char. Drelincourt. And translated into English by M. D'Assigny, B.D 210 $aLondon $cprinted for John Starkey, at the Miter in Fleetstreet, near Temple-Barr$d1682 215 $a[8], 494, 431-478, 529-556, [4] p 300 $aA translation into English of: 'Les consolations de l'a?me fide?le'. 300 $aWith an initial preface leaf and two final contents leaves. 300 $aReproduction of original in the British Library. 330 $aeebo-0018 606 $aDeath$vEarly works to 1800 615 0$aDeath 700 $aDrelincourt$b Charles$f1595-1669.$0933156 701 $aD'Assigny$b Marius$f1643-1717.$01004201 801 0$bUk-ES 801 1$bUk-ES 801 2$bCStRLIN 801 2$bCu-RivES 801 2$bWaOLN 906 $aBOOK 912 $a996393921903316 996 $aThe Christians defence against the fears of death$92356914 997 $aUNISA LEADER 01894nam 2200517 450 001 9910828478603321 005 20161222082317.0 010 $a1-61147-940-1 035 $a(CKB)3710000000941923 035 $a(MiAaPQ)EBC4741439 035 $a(EXLCZ)993710000000941923 100 $a20161124h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aShakespeare's dramatic persons /$fTravis Curtright 210 1$aMadison, [Wisconsin] ;$aTeaneck, [New Jersey] :$cFairleigh Dickinson University Press,$d2017. 210 4$dİ2017 215 $a1 online resource (197 pages) 225 1 $aShakespeare and the Stage 311 $a1-61147-939-8 311 $a1-61147-938-X 320 $aIncludes bibliographical references and index. 327 $aIntroduction: Actors and orators -- King Richard III and characters as actors -- Kate's audacious speech of submission -- Much ado about personation -- Iago's acting style -- Marina as charorator -- Conclusion: Direct address as an 'original practice'. 410 0$aShakespeare and the stage (Fairleigh Dickinson University Press) 606 $aTheater$zEngland$zLondon$xHistory$y16th century 606 $aTheater$zEngland$zLondon$xHistory$y17th century 606 $aShakespearean actors and actresses 606 $aActing$xHistory$y16th century 606 $aActing$xHistory$y17th century 615 0$aTheater$xHistory 615 0$aTheater$xHistory 615 0$aShakespearean actors and actresses. 615 0$aActing$xHistory 615 0$aActing$xHistory 676 $a822.33 700 $aCurtright$b Travis$01621498 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828478603321 996 $aShakespeare's dramatic persons$93954800 997 $aUNINA