LEADER 05634nam 2200781 450 001 9910828405303321 005 20210422210803.0 010 $a3-11-037368-8 010 $a3-11-033755-X 024 7 $a10.1515/9783110337556 035 $a(CKB)3710000000229106 035 $a(EBL)1377207 035 $a(SSID)ssj0001433240 035 $a(PQKBManifestationID)11927632 035 $a(PQKBTitleCode)TC0001433240 035 $a(PQKBWorkID)11413851 035 $a(PQKB)10277790 035 $a(MiAaPQ)EBC1377207 035 $a(DE-B1597)214513 035 $a(OCoLC)884940001 035 $a(OCoLC)891761155 035 $a(DE-B1597)9783110337556 035 $a(Au-PeEL)EBL1377207 035 $a(CaPaEBR)ebr11010175 035 $a(CaONFJC)MIL805266 035 $a(OCoLC)890070951 035 $z(PPN)202092577 035 $a(PPN)179724061 035 $a(EXLCZ)993710000000229106 100 $a20150211h20142014 uy 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt 182 $cc 183 $acr 200 00$aGreek theatre in the fourth century B.C. /$fedited by Eric Csapo [and three others] ; contributors, Zachary Biles [and eighteen others] 210 1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2014. 210 4$dİ2014 215 $a1 online resource (590 p.) 300 $aDescription based upon print version of record. 311 $a3-11-033748-7 320 $aIncludes bibliographical references and indexes. 327 $tFront matter --$tTable of Contents --$tAcknowledgements --$tAbbreviations and Conventions --$tIntroduction: Old and New Perspectives on Fourth-Century Theatre --$tSection A: Theatre Sites --$tThe Theatre of Dionysus Eleuthereus in Athens: New Data and Observations on its 'Lycurgan' Phase /$rPapastamati-von Moock, Christina --$tThe Archaeology of the 'Rural' Dionysia in Attica /$rGoette, Hans Rupprecht --$tThe Evolution of Theatre Architecture Outside Athens in the Fourth Century /$rMoretti, Jean-Charles --$tSection B: Tragedy and Comedy --$tHow Pots and Papyri Might Prompt a Re-Evaluation of Fourth-Century Tragedy /$rTaplin, Oliver --$tPerforming Classics: The Tragic Canon in the Fourth Century and Beyond /$rNervegna, Sebastiana --$tLiterary Evidence for New Tragic Production: The View from the Fourth Century /$rHanink, Johanna --$tThe Evolution of Comedy in the Fourth Century /$rHartwig, Andrew --$tSection C: Performance outside Athens --$tPhilippus in acie tutior quam in theatro fuit ... (Curtius 9, 6, 25): The Macedonian Kings and Greek Theatre /$rMoloney, Eoghan --$tTheatre, Religion, and Politics at Alexander's Travelling Royal Court /$rGuen, Brigitte Le --$tCooking Up Rhesus: Literary Imitation and Its Consumers /$rLiapis, Vayos --$tRethinking Choregic Iconography in Apulia /$rBiles, Zachary / Thorn, Jed --$tGreek Theatre in Non-Greek Apulia /$rRobinson, Edward G. D. --$tRegional Theatre in the Fourth Century. The Evidence of Comic Figurines of Boeotia, Corinth and Cyprus /$rGreen, J. Richard --$tTheatre in the Fourth-Century Black Sea Region /$rBraund, David / Hall, Edith --$tSection D: Finance and Records in Athens --$tThe Finance and Organisation of the Athenian Theatre in the Time of Eubulus and Lycurgus /$rCsapo, Eric / Wilson, Peter --$tInscribed Public Records of the Dramatic Contests at Athens: IG II2 2318-2323a and IG II2 2325 /$rMillis, Benjamin W. --$tPlates --$tIllustration Credit --$tBibliography --$tIndices --$tList of Contributors 330 $aAge-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation. 606 $aTheater$zGreece$xHistory$yTo 500$vCongresses 606 $aTheater$zGreece$zAthens$xHistory$yTo 500$vCongresses 606 $aTheater$zGreece$xHistory$vCongresses 606 $aGreek drama$xHistory and criticism 607 $aGreece$xAntiquities 610 $aGreece. 610 $aTheatre. 610 $aantiquity. 610 $adrama. 615 0$aTheater$xHistory 615 0$aTheater$xHistory 615 0$aTheater$xHistory 615 0$aGreek drama$xHistory and criticism. 676 $a792.0938 686 $aAP 64940$2rvk 702 $aCsapo$b Eric 702 $aBiles$b Zachary 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828405303321 996 $aGreek theatre in the fourth century B.C$94033810 997 $aUNINA