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100   $a20030924d2004      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 13$aAn archaeology of images $eiconology and cosmology in Iron Age and Roman Europe /$fMiranda Aldhouse-Green
205   $a1st ed.
210   $aLondon ;$aNew York $cRoutledge$d2004
215   $a1 online resource (302 p.)
300   $aDescription based upon print version of record.
311   $a0-415-51846-6 
311   $a0-415-25253-9 
320   $aIncludes bibliographical references (p. 242-273) and index.
327   $aBook Cover; Title; Contents; List of figures; Preface; Acknowledgements; Introduction: images in action; Image and identity: personhood, self and other; Imaging gender: iconographies of difference; Materiality and meaning; Thinking with beasts; Dreaming monsters and shamanic shape-shifters; Paths of perception: ways of seeing, ways of telling; Resistant iconographies: post-colonial perspectives; Postscript: images unlocked?; References; Index
330   $aUsing archaeology and social anthropology, and more than 100 original line drawings and photographs, An Archaeology of Images takes a fresh look at how ancient images of both people and animals were used in the Iron Age and Roman societies of Europe, 600 BC to AD 400 and investigates the various meanings with which images may have been imbued.The book challenges the usual interpretation of statues, reliefs and figurines as passive things to be looked at or worshipped, and reveals them instead as active artefacts designed to be used, handled and broken. It is made clear that the placi
517 3 $aIconology and cosmology in Iron Age and Roman Europe
606   $aArt, Celtic
606   $aSymbolism in art
606   $aIron age$zEurope
615  0$aArt, Celtic.
615  0$aSymbolism in art.
615  0$aIron age
676   $a709/.37
686   $a15.30$2bcl
700   $aAldhouse-Green$b Miranda J$g(Miranda Jane)$0156170
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910828405203321
996   $aAn archaeology of images$94033809
997   $aUNINA