LEADER 03668nam 2200589 450 001 9910828382603321 005 20170822145449.0 010 $a1-4422-5354-1 035 $a(CKB)3710000000450942 035 $a(EBL)2094958 035 $a(OCoLC)913869408 035 $a(SSID)ssj0001517831 035 $a(PQKBManifestationID)12589749 035 $a(PQKBTitleCode)TC0001517831 035 $a(PQKBWorkID)11508295 035 $a(PQKB)10233631 035 $a(MiAaPQ)EBC2094958 035 $a(EXLCZ)993710000000450942 100 $a20160819h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aSelling sex on screen $efrom Weimar cinema to zombie porn /$fedited by Karen A. Ritzenhoff, Catriona McAvoy 210 1$aLanham, [Maryland] :$cRowman & Littlefield,$d2015. 210 4$dİ2015 215 $a1 online resource (283 p.) 300 $aDescription based upon print version of record. 311 $a1-4422-5353-3 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aContents; Preface: "She Isn't a Hooker. She's, Like, an International Party-Girl": Language, (Mis)identification, and Selling Sex on Screen; Acknowledgments; Introduction; Chapter 1. The Sexual Economy and the New Woman Images of Prostitution in Weimar Cinema; Chapter 2. Early Representations of Female Prostitution in Pandora's Box; Chapter 3. How the Production Code Tapped Out the Mother Lode: Women, Sex, and Busby Berkeley's Gold Diggers Films; "Birdie, You Got My Dollar, Don't I Get Something for It?": The "Tutor-Code" of Sex Trade in the Golden Age of Television Westerns 327 $aEconomics, Empathy, and Expectation: History and Representation of Rape and Prostitution in Late 1980s Vietnam War FilmsChapter 6. She Wolves: The Monstrous Women of Nazisploitation Cinema; Chapter 7. Delicate Reports: Prostitution in Sergio Martino's Mondo Film Wages of Sin (Mille peccati . . . nessuna virtu?); Chapter 8. Cha Ching!: Getting Paid in Breakfast at Tiffany's and Showtime's Gigolos; Chapter 9. Machines, Mirrors, Martyrs, and Money: Prostitutes and Promiscuity in Steve McQueen's Shame and Stanley Kubrick's Eyes Wide Shut 327 $aChapter 10. "They're Selling an Image": "Hookers Cut to Look Like Movie Stars" in L.A. ConfidentialChapter 11. Selling Sex, along with Everything Else: Darla as Mark(et)ed Woman in Joss Whedon's Buffy the Vampire Slayer; Chapter 12. What Happens to the Money Shot?: Why Zombie Porn Can't Get the Audience to Bite; Index; About the Editorsand Contributors 330 $aThe volume explores contemporary and historical films about "marked women" in various national cinema traditions. The essays focus on the depictions of prostitution and promiscuity in visual media from Silent Film in America to Weimar Cinema in Germany, the Golden Years in Hollywood, to the present. The book also touches on the Western genre, exploitation film, pornography, independent, and exploitation movies. 606 $aProstitutes in motion pictures 606 $aProstitution in motion pictures 606 $aSex in motion pictures 615 0$aProstitutes in motion pictures. 615 0$aProstitution in motion pictures. 615 0$aSex in motion pictures. 676 $a791.43/6538 676 $a791.436538 702 $aRitzenhoff$b Karen A. 702 $aMcAvoy$b Catriona$f1978- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828382603321 996 $aSelling sex on screen$94027279 997 $aUNINA