LEADER 04640nam 2200481 450 001 9910828199803321 005 20220302123642.0 010 $a90-04-43194-2 024 7 $a10.1163/9789004431942 035 $a(CKB)4100000011044486 035 $z(OCoLC)1153336329 035 $a(nllekb)BRILL9789004431942 035 $a(MiAaPQ)EBC6853680 035 $a(Au-PeEL)EBL6853680 035 $a(OCoLC)1293256908 035 $a(EXLCZ)994100000011044486 100 $a20220302d2020 uy 0 101 0 $aeng 135 $aurun####uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 10$aRembrandt $estudies in his varied approaches to Italian art /$fAmy Golahny 210 1$aLeiden ;$aBoston :$cBrill,$d[2020] 210 4$dİ2020 215 $a1 online resource 225 1 $aBrill's Studies in Intellectual History ;$vVolume 317 311 $a90-04-38266-6 320 $aIncludes bibliographical references and index. 327 $aPreface -- Acknowledgements -- List of Illustrations -- 1 Prologue: Setting the Stage -- 1 Who Did, or Did Not, Travel to Italy -- 2 Dutch Artists Who Painted Italy at Second Hand -- 3 Jacob van Swanenburg and Pieter Lastman in Italy -- 4 Advice about Travel -- 5 On the Road in Italy: Nicholas Stone Jr. -- 6 The Material Evidence: Collecting Italian Art in Holland -- 7 Van Mander?s Account of Remarkable Italian Paintings in Dutch Collections -- 8 A Sampling of Amsterdam Collections: 1630?1660 -- 9 Rembrandt at the Art Market -- 10 A Contrast in Collecting: Joachim von Sandrart in Amsterdam and Bavaria -- 2 Attitudes: Critical, Admiring, and Curious toward Rembrandt -- 1 Rembrandt?s Acquaintances Condemn His Disregard for Italian Values: Huygens, Sandrart and De Lairesse -- 2 Pels, De Decker, and De Geest: Polarizing Attitudes -- 3 Rembrandt?s Singular Manner: Houbraken -- 4 Rembrandt?s Naturalism in Stefano della Bella?s Model Books -- 5 Rembrandt?s Goal in Art -- 3 Rembrandt?s Collection and How He Used It: the Canonical and the Unusual -- 1 Drawing from the Original: Mantegna, Leonardo, Raphael, Titian -- 2 Reminiscences and Variations -- 3 Life Study Fused with Art -- 4 Sculpture as Substitute for Life Study -- 4 Pragmatic Solutions -- 1 Borrowed Plumes Easily Disguised -- 2 The Supper at Emmaus of c. 1629 -- 3 Rembrandt and the Madonna of the Rosary: Structuring the Stage -- 4 Judas Returning the 30 Pieces of Silver: Caravaggio and Leonardo da Vinci -- 5 Two People in One Frame -- 5 Appropriating for Commentary: Rembrandt?s Critique of Titian, Raphael, and Leonardo -- 1 Christ Driving the Money Changers from the Temple: the 1626 Painting and the 1635 Etching -- 2 The Hundred Guilder Print: Exploiting Raphael, Michelangelo, Leonardo -- 6 Appropriation and Deviation: Responding for Alternatives -- 1 Diana and Actaeon with Callisto and Nymphs: Referencing the Italians -- 2 The Flute Player and Flower Girl: an Alternative to Titian -- 3 The Female Nude -- 7 Rembrandt Perceived by the Italians: Castiglione, the Ruffo Collection, and La Maniera Gagliarda -- 1 Giovanni Benedetto Castiglione: Inspired Improvisations -- 2 Rembrandt?s Ruffo Series -- 3 Abraham Brueghel?s Intermediary Role in the Ruffo Commissions -- 4 Guercino: Business-like, Efficient, and Respectful -- 5 Preti: Grudging Accommodation -- 6 Salvator Rosa: Independent, Arrogant, and Uncooperative -- 7 Brandi: Eager to Please -- 8 La Maniera Gagliarda -- 9 Baciccio: the Last Word -- Bibliography. 330 $aRembrandt: Studies in his Varied Approaches to Italian Art explores his engagement with imagery by Italian masters. His references fall into three categories: pragmatic adaptations, critical commentary, and conceptual rivalry. These are not mutually exclusive but provide a strategy for discussion. This study also discusses Dutch artists? attitudes toward traveling south, surveys contemporary literature praising and/or criticizing Rembrandt, and examines his art collection and how he used it. It includes an examination of the vocabulary used by Italians to describe Rembrandt?s art, with a focus on the patron Don Antonio Ruffo, and closes by considering the reception of his works by Italian artists. 410 0$aBrill's studies in intellectual history ;$vVolume 317. 606 $aArt, Dutch$xItalian influences 615 0$aArt, Dutch$xItalian influences. 676 $a759.9492 700 $aGolahny$b Amy$0987397 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828199803321 996 $aRembrandt$93953038 997 $aUNINA