LEADER 03997oam 2200625 450 001 9910788302003321 005 20161228113334.0 010 $a0-472-02925-8 024 7 $a10.3998/mpub.5176711 035 $a(CKB)3170000000060268 035 $a(EBL)3570487 035 $a(SSID)ssj0000956546 035 $a(PQKBManifestationID)11516428 035 $a(PQKBTitleCode)TC0000956546 035 $a(PQKBWorkID)10965230 035 $a(PQKB)11520301 035 $a(MiAaPQ)EBC3570487 035 $a(OCoLC)856017713 035 $a(MdBmJHUP)muse24856 035 $a(MiU)10.3998/mpub.5176711 035 $a(Au-PeEL)EBL3570487 035 $a(CaPaEBR)ebr10744868 035 $a(CaONFJC)MIL509494 035 $a(OCoLC)932325330 035 $a(dli)HEB32149.0001.001 035 $a(MiU)MIU01200000000000000000245 035 $a(EXLCZ)993170000000060268 100 $a20130408d2013 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIdentity, place, and subversion in contemporary Mizrahi cinema in Israel /$fYaron Shemer 210 1$aAnn Arbor :$cUniversity of Michigan Press,$d[ 2013] 215 $a1 online resource (303 p.) 300 $aDescription based upon print version of record. 311 $a0-472-11884-6 320 $aIncludes bibliographical references and index. 327 $a""Contents""; ""Introduction ""; ""Chapter One. Mizrahi Ethnicity and Israeli Cinema ""; ""Chapter Two. The Cinematic Construction of Mizrahi Identity ""; ""Chapter Three. The Mizrahi Space ""; ""Chapter Four. The Absence of Power and the Power of Absence: Victimhood, Struggle and Agency""; ""Chapter Five. Intersectionality and Alliances ""; ""Afterword: What Is Mizrahi in Mizrahi Cinema? ""; ""Appendix 1. Israeli Fimls Cited ""; ""Appendix 2. Interviews""; ""Works Cited ""; ""Index"" 330 $a" In Identity, Place, and Subversion in Contemporary Mizrahi Cinema in Israel, Yaron Shemer articulates the modalities through which Mizrahi (Oriental-Jewish or Arab-Jewish) films employ narratives, characters, and space to glean ethnic identities and, often, to redraw ethnic boundaries. This study's approach to Mizrahi ethnicity in Israel then stands in stark contrast to the conventional precept of the societal pastiche in modern Israel and the regnant discourse about the widespread dismissal of ethnic divisions in the country. For decades after the establishment of the State, Israeli films mostly acquiesced with Zionism's dominant discourse whereby the Mizrahi was deemed an inferior other whose "Levantine" culture was believed to pose a threat to the Western-oriented Zionist enterprise. Shemer explores the continuous marginalization of the Mizrahi in contemporary Israeli cinema and the challenge some Mizrahi films offer to the subjugation of this ethnic group. Beyond its textual analysis, the book examines the role cultural policies and institutional power in Israel have recently played in shaping Mizrahi cinema and the creation of a Mizrahi niche in cinema--a space that defines and contains contesting voices more than it nourishes them. Ultimately, this pioneering work charts a new territory of academic inquiry; Identity, Place, and Subversion in Contemporary Mizrahi Cinema in Israel is designed to facilitate the making of "Mizrahi Cinema" a legitimate, recognized, and vibrant scholarly field"--$cProvided by publisher. 606 $aMotion pictures$zIsrael 606 $aMotion pictures$xSocial aspects$zIsrael 615 0$aMotion pictures 615 0$aMotion pictures$xSocial aspects 676 $a791.43095694 686 $aPER004030$aHIS019000$2bisacsh 700 $aShemer$b Yaron$01475915 712 02$aMichigan Publishing (University of Michigan) 801 0$bMiU 801 1$bMiU 906 $aBOOK 912 $a9910788302003321 996 $aIdentity, place, and subversion in contemporary Mizrahi cinema in Israel$93690308 997 $aUNINA LEADER 02560nam 2200757 450 001 9910828169503321 005 20230809230105.0 010 $a1-5261-0566-7 010 $a1-5261-0565-9 010 $a1-5261-2814-4 010 $a1-5261-2629-X 024 7 $a10.7765/9781526126290 035 $a(CKB)3840000000340306 035 $a(MiAaPQ)EBC5236874 035 $a(StDuBDS)EDZ0001810789 035 $a(Au-PeEL)EBL5236874 035 $a(CaPaEBR)ebr11502617 035 $a(OCoLC)989820876 035 $a(DE-B1597)659404 035 $a(DE-B1597)9781526126290 035 $a(EXLCZ)993840000000340306 100 $a20180221h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aColonial exchanges $epolitical theory and the agency of the colonized /$fedited by Burke A. Hendrix and Deborah Baumgold 210 1$aManchester, England :$cManchester University Press,$d2017. 210 4$dİ2017 215 $a1 online resource (258 pages) 300 $aPreviously issued in print: 2017. 311 $a1-5261-0564-0 320 $aIncludes bibliographical references and index. 330 8 $aWhen European powers colonised the globe, they spread not only political power but also ideas. Yet those within colonised societies did not receive those ideas passively. They instead sought to transform or repurpose them, often in surprising or ambiguous ways. This volume illustrates a variety of examples worthy of further study. 606 $aImperialism 610 $aBritish empires. 610 $aEuropean political ideas. 610 $aFrench Lamarckianism. 610 $aFrench empires. 610 $aFrench revolutionary ideology. 610 $aIndian nationalist movement. 610 $aJohn Stuart Mill. 610 $aJotirao Govindrao Phule. 610 $aPrivy Council. 610 $aRammohun Roy. 610 $aShyamji Krishnavarma. 610 $aSpanish empires. 610 $aSudratisudras. 610 $acolonial practices. 610 $acolonialism. 610 $acolonized intellectuals. 610 $ahybrid theorization. 610 $aliberal universalism. 610 $apolitical thought. 615 0$aImperialism. 676 $a325.32 702 $aHendrix$b Burke A. 702 $aBaumgold$b Deborah 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828169503321 996 $aColonial exchanges$94027687 997 $aUNINA