LEADER 01012nam0 22002651i 450 001 UON00102488 005 20231205102559.313 100 $a20020107d1980 |0itac50 ba 101 $aeng 102 $aDE 105 $a|||| 1|||| 200 1 $aˆThe ‰Grammar of Attic Inscriptions. Volume 1$ePhonology$fLeslie Threatte 210 $aBerlin$aNew York$cWalter de Gruyter$d1980 215 $axxxv, 737 p.$d25 cm 517 1$3UON00364829$aPhonology / Leslie Threatte 620 $aUS$dNew York$3UONL000050 620 $aDE$dBerlin$3UONL003157 700 1$aTHREATTE$bLeslie$3UONV060093$0205478 712 $aDe Gruyter$3UONV248587$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00102488 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI P 2 030 01 $eSI MC 4271 5 996 $aGrammar of Attic Inscriptions. Volume 1$91766592 997 $aUNIOR LEADER 01419nam0 22002771i 450 001 UON00054778 005 20231205102241.907 100 $a20020107d1976 |0itac50 ba 101 $aeng 102 $aUS 105 $a|||| 1|||| 200 1 $aK'ang-Hsi and the consolidation of Ch'ing rule 1661-1684$fLawrence D. Kessler 210 $aChicago$cThe University of Chicago Press$d1976 215 $aXI, 251 p.$d22 cm 606 $aCINA$xSTORIA$xCULTURA$xDINASTIA QING (1644-1911)$3UONC006181$2FI 620 $aUS$dChicago, Ill.$3UONL000120 686 $aCIN IV A$cCINA - STORIA ANTICA FINO GUERRA dell'OPPIO (1839) ESCLUSO$2A 700 1$aKESSLER$bLawrence D.$3UONV023452$0646860 712 $aThe University of Chicago Press$3UONV246827$4650 801 $aIT$bSOL$c20240220$gRICA 912 $aUON00054778 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI CIN IV A 292 $eSI SA 55660 5 292 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI DOPPI CIN IV A 292 $eSI SA 4856 7 292 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI DOPPI CIN IV A 292 $eSI SA 11352 7 292 996 $aK'ang-Hsi and the consolidation of Ch'ing rule 1661-1684$91151713 997 $aUNIOR LEADER 02691nam 2200589 450 001 9910828149903321 005 20200520144314.0 010 $a0-253-01276-7 024 7 $a2027/heb34015 035 $a(CKB)3710000000237687 035 $a(EBL)1782262 035 $a(SSID)ssj0001332539 035 $a(PQKBManifestationID)11895364 035 $a(PQKBTitleCode)TC0001332539 035 $a(PQKBWorkID)11376263 035 $a(PQKB)10290068 035 $a(MiAaPQ)EBC1782262 035 $a(OCoLC)890531167 035 $a(MdBmJHUP)muse41776 035 $a(Au-PeEL)EBL1782262 035 $a(CaPaEBR)ebr10929478 035 $a(dli)HEB34015.0001.001 035 $a(MiU)MIU01200000000000000000269 035 $a(EXLCZ)993710000000237687 100 $a20140918h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBreaking time's arrow $eexperiment and expression in the music of Charles Ives /$fMatthew McDonald 210 1$aBloomington, Indiana :$cIndiana University Press,$d2014. 210 4$d©2014 215 $a1 online resource (212 p.) 225 1 $aMusical Meaning and Interpretation 300 $aDescription based upon print version of record. 311 $a0-253-01273-2 320 $aIncludes bibliographical references and index. 327 $aGod/man : I come to thee and Psalm 14 -- Community/individual : Sonata no. 1 for piano and String quartet no. 2 -- Intuition/expression : "Nov. 2, 1920" and "Grantchester" -- Elements of narrative : The unanswered question -- Ives and the now : "The things our fathers loved" -- Cumulative composition : Ives's Emerson music. 330 $aCharles Ives (1874-1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives''s compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives's works to Transcendentalist understandings of eternity. His approach to Ives opens ne 410 0$aMusical meaning and interpretation. 606 $aMusic & Musicology 615 0$aMusic & Musicology. 676 $a780.92 700 $aMcDonald$b Matthew$g(Matthew James),$0874718 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828149903321 996 $aBreaking time's arrow$93993147 997 $aUNINA