LEADER 06474nam 2201021 450 001 9910828109703321 005 20221215172654.0 010 $a0-520-27960-3 010 $a0-520-96039-4 024 7 $a10.1525/9780520960398 035 $a(CKB)3710000000269930 035 $a(EBL)1826903 035 $a(SSID)ssj0001455331 035 $a(PQKBManifestationID)11794706 035 $a(PQKBTitleCode)TC0001455331 035 $a(PQKBWorkID)11393919 035 $a(PQKB)11671841 035 $a(DE-B1597)518990 035 $a(OCoLC)894171695 035 $a(DE-B1597)9780520960398 035 $a(Au-PeEL)EBL1826903 035 $a(CaPaEBR)ebr10984107 035 $a(CaONFJC)MIL662175 035 $a(MiAaPQ)EBC1826903 035 $a(EXLCZ)993710000000269930 100 $a20141124h20152015 uy 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt 182 $cc 183 $acr 200 00$aHitchcock on Hitchcock$hVolume 2 $eselected writings and interviews /$fedited by Sidney Gottlieb 210 1$aOakland, California :$cUniversity of California Press,$d2015. 210 4$dİ2015 215 $a1 online resource (738 p.) 300 $aDescription based upon print version of record. 311 $a1-322-30893-4 311 $a0-520-27958-1 320 $aIncludes bibliographical references and index. 327 $tHitchcock on Hitchcock, Volume 2 --$tFront matter --$tCONTENTS --$tAcknowledgments --$tIntroduction --$tSTORIES AND SUSPENSE --$tIntroduction --$tThe Henley Telegraph Stories --$tGood-night, Nurse! (c. 1922-23) --$tHitchcock on Stories (1937) --$tLights! Action!-but Mostly Camera! (1941) --$tHitchcock, Master Maker of Mystery (1941) --$tIntroduction to Intrigue: Four Great Spy Novels of Eric Ambler (1943) --$tThe Quality of Suspense (1945) --$tThe Film Thriller (1946) --$tDeath in the Crystal Ball (1950) --$tThe Wise Man of Kumin (1951) --$tThe Chloroform Clue: My Favorite True Mystery (1953) --$t"It's the Manner of Telling": An Interview with Alfred Hitchcock (1976) --$tPURE CINEMA AND THE HITCHCOCK TOUCH --$tIntroduction --$tTitles-Artistic and Otherwise (1921) --$tHow a Talking Film Is Made (1929) --$tWhy I Make Melodramas (1937) --$tSome Thoughts on Color (1937) --$tThe "Hitch" Touch (1946) --$tEncounter with Alfred Hitchcock (1956) --$tAlfred Hitchcock Murders a Blonde (1958) --$tMy Favorite Film Character Is-ME! (1959) --$tA Lesson in PSYCHO-logy (1960) --$tRear Window (1968) --$tON DIRECTORS AND DIRECTING --$tIntroduction --$tAn Autocrat of the Film Studio (1928) --$tA New "Chair" Which a Woman Might Fill (1929) --$tA Columbus of the Screen (1931) --$tBritain Must Be Great (1932) --$tThe Man Who Knew Too Much (1956) --$tHitchcock on Truffaut (1962) --$tDeclaration of Alfred Hitchcock (1967) --$tInterview with Alfred Hitchcock (1973) --$tHITCHCOCK AT WORK --$tIntroduction --$tMaking Murder! (1930) --$tHitchcock's Notes on Stage Fright (c. 1950) --$tInterview with Alfred Hitchcock (1955) --$tAlfred Hitchcock Brings His Directing Techniques to the Medium of Television (1955) --$tHitch: I Wish I Didn't Have to Shoot the Picture (1966) --$tHITCHCOCK SPEAKS --$tIntroduction --$tHitchcock Speaking (1956) --$tWomen (1959) --$tAlfred Hitchcock Resents (1962) --$tThe Chairman of the Board (1964) --$tJohn Player Lecture (1967) --$tInterview: Alfred Hitchcock (1978) --$tSelected Bibliography --$tAcknowledgments of Permissions --$tIndex 330 $aThis second volume of Alfred Hitchcock's reflections on his life and work and the art of cinema contains material long out of print, not easily accessible, and in some cases forgotten or unknown. Edited by Sidney Gottlieb, this new collection of interviews, articles with the great director's byline, and "as-told-to" pieces provides an enlivening perspective on a career that spanned seven decades and transformed the history of cinema. In writings and interviews imbued with the same exuberance and originality that he brought to his films, Hitchcock ranges from accounts of his own life and experiences to provocative comments on filmmaking techniques and cinema in general. Wry, thoughtful, witty, and humorous-as well as brilliantly informative and insightful-this volume contains much valuable material that adds to our understanding and appreciation of a titan who decades after his death remains one of the most renowned and influential of all filmmakers. François Truffaut once said that Hitchcock "had given more thought to the potential of his art than any of his colleagues." This profound contemplation of his art is superbly captured in the pieces from all periods of Hitchcock's career gathered in this volume, which reveal fascinating details about how he envisioned and attempted to create a "pure cinema" that was entertaining, commercially successful, and artistically ambitious and innovative in an environment that did not always support this lofty goal. 606 $aMotion pictures$xProduction and direction 606 $aMotion pictures 610 $a20th century film history. 610 $aalfred hitchcock. 610 $aart of cinema. 610 $aart. 610 $aartists. 610 $acareer. 610 $acinema. 610 $acollection of interviews. 610 $adial m for murder. 610 $adirectors. 610 $aearly fiction. 610 $aenglish film director. 610 $aenglish producer. 610 $afilm industry. 610 $afilm. 610 $afilmmakers. 610 $afilmmaking techniques. 610 $afilmmaking. 610 $ahistory of cinema. 610 $ahitchcockian. 610 $ainfluential directors. 610 $ainnovative. 610 $ainsightful. 610 $amaster of suspense. 610 $amovies. 610 $anorth by northwest. 610 $aoriginality. 610 $apsycho. 610 $apure cinema. 610 $arear window. 610 $astrangers on a train. 610 $avertigo. 615 0$aMotion pictures$xProduction and direction. 615 0$aMotion pictures. 676 $a791.430233092 686 $aHN 4446$2rvk 700 $aHitchcock$b Alfred$f1899-1980,$4aut$4http://id.loc.gov/vocabulary/relators/aut$0465615 702 $aGottlieb$b Sidney 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828109703321 996 $aHitchcock on Hitchcock$91382499 997 $aUNINA